What follows is a chronology of 70mm six-track stereophonic sound
feature-film presentations in Windsor, Ontario, Canada.
The focus of this work is 5-perf 70mm feature films and the cinemas in
which they were exhibited. Short subjects, 8-perf and 15-perf (IMAX,
Iwerks, etc.) and Special Venue presentations have not been included
(but consideration will be given to adding them in a revision).
The emphasis here is on the titles that received publicly-promoted,
commercial exhibition in 70mm and their playdates. To facilitate an
easy-to-reference title- and date-based layout, no details have been
provided pertaining to the brand of 70mm (i.e. Todd-AO, Super
Panavision, Ultra Panavision, Cinerama, D-150, etc.) or technical
particulars of each presentation (i.e. O-neg source, inter-neg source,
blow-up, pillarboxed, letterboxed, Dolby A, Dolby SR, five screen
channels vs. three, baby boom, split surround, digital sound, etc.).
Part 1: The 70mm-Equipped Cinemas
CENTRE
Wyandotte at Pillette
Famous Players 1948-82
Single screen (926 seats)
70mm installed 1980; 70mm un-installed 1982
Part 2: The 70mm Presentations
Opening date YYYY-MM-DD … TITLE … cinema (duration in weeks) [notes]
1980-05-21 … THE EMPIRE STRIKES BACK … Centre (18)
1981-03-06 … APOCALYPSE NOW … Centre (2)
1981-06-05 … STAR TREK: THE MOTION PICTURE … Centre (1)
1981-06-12 … SLEEPING BEAUTY … Centre (1)
1981-06-19 … THE BLACK HOLE … Centre (1)
1981-09-11 … OUTLAND … Centre (1)
1981-11-06 … FAME … Centre (2)
1981-11-20 … 2001: A SPACE ODYSSEY … Centre (1)
1982-02-12 … RAIDERS OF THE LOST ARK … Centre (5)
1982-03-19 … QUEST FOR FIRE … Centre (6)
1982-04-30 … FAME … Centre (1)
1982-05-07 … APOCALYPSE NOW … Centre (1)
Note that some of the titles included in this chronology may have been
presented in 35mm during the latter week(s) of their engagement due to
contractual terms or print damage (and the distributor’s unwillingness
to supply a 70mm replacement print) or because the booking was moved to
a non-70mm-equipped auditorium within a multiplex. As well, the reverse
may have been true in some cases whereas a booking began with a 35mm
print because the lab was unable to complete the 70mm print order in
time for an opening-day delivery or the exhibitor negotiated a mid-run
switch to 70mm. In these cases, any 35mm portion of the engagement has
been included in the duration figure.
References: Various issues of The Windsor Star; projection and sound
system trade advertisements and installation records.
Special Thanks: Bill Kretzel.
If you believe this article contains any errors or omissions, please
consider emailing the
author or editor.
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More in 70mm reading:
70mm, Cinerama, IMAX and Cinemas in Canda
70mm Cinemas in North
America
Chronological premiere
list of major 70mm films
Month by month
premiere list of wide gauge and 3-strip films
70mm Engagements
70mm Blow Up List
Dolby Stereo
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