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70mm Film in India
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Read more
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in70mm.com
The 70mm Newsletter
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Written
by: K. Ramachandra Babu, ISC, India |
Date:
29.08.2008 |
"Padayottam"
70mm frame, supplied by
K. Ramachandra Babu
11-06-1997, Thiruvananthapuram
Dear Mr. Thomas Hauerslev,
As requested by you herewith I am sending the details regarding the 70mm
films produced in India. All films were originally photographed in the
CinemaScope format and 70mm blow-up prints with Six-track magnetic
stereo sound were made for theatrical release. The list might not be
complete as I could gather only so much details and even that took me
such a long time!
I am enclosing a film clipping from "Padayottam" photographed by
me. Also there is a song book of "Padayottam" in Malayalam
Language which was meant to educate the audience about the various
formats and how six track stereo sound is reproduced in the theatre. You
will find also some information about the attempt to manufacture a
65mm Camera for the first time in our country.
I hope the information provided will be of use to you and please do not
hesitate to contact us for any thing you need.
With Warm regards
Sincerely yours
K. Ramachandra Babu, ISC
President
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More
in 70mm reading:
70mm Filming in
India
Somaflex-65-70MM, India's
First 65mm Camera
What the archive kept - The Safire
Theatre, India
Internet link:
indpaedia.com
ramachandrababu.com
cineku.com
ramachandrababu.blogspot.com
institutewallah.blogspot.com
cineku
Indian Society of Cinematographers
"Nirmal Sadan"
T .C. 31/916
Pettah
Thiruvananthapuram - 695 024
Kerala
India
folkd.com
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2008 update
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Dear Thomas
Hauerslev,
Thanks for remembering me and mailing me and also for putting my
70mm frames and song book in your website. Unfortunately no more 70mm
productions are being made in Indian film productions. There are no 65mm
cameras in India as well. Though many theatres are equipped with 70mm
projectors, they have to depend upon Hollywood productions for screening in
the bigger format and as such, these films are rare. So 70mm screenings are
NIL in the present day situation and even if you want to project one, you
will find it very difficult as in many of them the sound systems will not be
functioning well because of poor maintenance. Many of the bigger theatres
are making way for smaller compact multiplexes and shopping malls. I
congratulate you for keeping alive the past glory of the 70mm widescreen
format during these days of digital imaging.
With Warm Regards
Sincerely yours
K. Ramachandra Babu, ISC
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2014 update, 25.12.2013
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Dear
Thomas,
Thanks for your Well Wishes. I too Wish you A Merry X Mas and a Very Happy
2014.
Coming to 70mm Films in India, certain things needs to be corrected
regarding the First 70mm Film of India which is "Around the world"
(Hindi-Urdu) 1967 and not "Sholay" as I have mentioned
earlier. You can see it in the credit titles of the film, a screen grab
which is attached with this mail. I do hope this information will be useful to you for updating your
site.
With Warm Regards
Sincerely yours
K. Ramachandra Babu, ISC
Cinematographer
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Song Book of "Padayottam" (click each image to see enlargement)
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Indian 70mm Titles
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"Padayottam"
logo with 70mm logo - can you spot it?
1967 "Around the world" (Hindi-Urdu)
https://en.wikipedia.org/wiki/Around_the_World_(1967_film)
1975 "Sholay" (Language Hindi)
Director Ramesh Sippy
Director of Photography Dwaraka Diwecha
Cast Amitabh Bachchan, Dharmendra, Amjad Khan, Hema Malini, Jaya Bhaduri
https://en.wikipedia.org/wiki/Sholay
1981 "Ek Duje Ke Liye" (Language Hindi)
Producer Prasad Productions
Director K. Balachander
Cast Kammal Hassan, Rati Agnihotri
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Ek_Duuje_Ke_Liye
1982 "Padayottam" (Language Malayalam)
Produced by Navodaya
Director Jijo
Director of Photography K. Ramachandra Babu
Music Guna Singh
Art Director K. Sheker
Editor Sekar
Laboratory Pradad Film Laboratories
Cast Prern Nazir, Madhu, Mammotty, Mohan Lal, Shankar, Govindan Kutty,
Poomima J ayaram, Lakshmi, Meena
Released on 6 August 1982
https://en.wikipedia.org/wiki/Padayottam_(1982_film)
1982 "Badle Ki Aag" (Language Hindi)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Badle_Ki_Aag
1982 "Samraat" (Language Telugu)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Samraat_(film)
1983 "Razia Sultana" (Language Hindi)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Razia_Sultan_(film)
1983 "Mahaan" (Language Hindi)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Mahaan_(1983_film)
1985 "Saagar" (Language Hindi)
Director Rarnesh Sippy
Cast Rishi Kapoor, Kamal Haasan,
Dimple Kapadia
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Saagar_(film)
1986 "Dayavan" (Language Hindi)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Dayavan
1986 "Karma" (Language Hindi)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Karma_(1986_film)
1986 "Simhasanam" (Language Telugu)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Simhasanam_(1986_film)
1986 "Thandara Pappa Rayudu" (aka "Tandra Paparayudu") (Language
Telugu)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Tandra_Paparayudu_(film)
1987 "Maa Veeran" (aka "Maaveeran") (Language Tamil)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Maaveeran
1989 "Saravegada Sardara" (aka "Sharavegada Saradara") (Language
Kannada)
Processed at MIS Prasad Film Laboratories, Chennai
https://en.wikipedia.org/wiki/Sharavegada_Saradara
http://indpaedia.com/ind/index.php/70mm_films_in_India/_South_Asia
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"Padayottam" 70mm Frame
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"Padayottam"
70mm frame, supplied by
K. Ramachandra Babu
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From thirty five to sixty five
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Only
one camera was made, the one seen in the picture with the Steadicam mount
was a prototype to which a Hasselblad lens was temporarily fixed.
Can't
we make cameras? The largest film producing country doesn't manufacture
indigenous shooting cameras in various gauges of film. Yes we can make, and
has gone one step ahead than anybody else can think of it. A young
cinematographer Mr. T. V. Somasundaram with lot of ambitions and ideas
burning inside all set started with small gadgets to supplement the needs of
other cinematographers years back.
He first started with the first set of vacum base with nylon grip cups and
different cameras has donned his vacum base for chasing sequences, whether
it is horses, cars, trains, under the carriages br over, or on sides and
even at ground level. Years have gone thro' with lot of feature films shot
with the help of Mr. T. V. Somasundaram. As cinematographer for hot and
rugged sequences and still he is in demand for the same. His thirst for new
inventions never had a stop with smallones.
Seven years ago he started making a sixty five mm movie camera even the
Westerners didn't think about. A camera with less weight, variable and
constant motor in one, flexible eyepiece tube, and can be mounted on a
steadicam where as the sixty five mm camera manufactured in western
countries are huge in size and bulky in operation. (See technical details in
box).
Having tested with raw stock brought from London, exposed through Carl Zeiss
lens of HASSELBLAD still camera, the results are very good in colourwise,
sharpness form edge to edge vithout any grains formation.
Still to improve in facilities, T.V. Somasundaram the inventor waits for
further assistance financially and for some Technical parts to be imported
for Betterment of the camera. All these years he has struggled to make this
camera with his own remuneration he has eamed thro' his profession alone!
With a good sponsoring for his completion of camera for operational use,
India can be proud of manfacturing the first light weight 65mm Camera.
• Go to
Somaflex-65-70MM, India's
First 65mm Camera
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by CAPTAIN
TECHNICAL DETAILS
Wt 19 Kg.
Mount 400ft magazine
Film size 65 mm negative
Governer controlled motor
Built in
Variable constant both O to 50 frames per sec.
Eyepiece short/long both
Shutter 165° can be Variable in degrees
Flicker free see thro'
Double fork pull thro'
Without Registration
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