FILMS IN ULTRA PANAVISION 70 | • Go to Motion pictures photographed in MGM Camera 65 / Ultra Panavision 70 |
| ABOUT PANAVISION | • Go to The Importance of Panavision |
| ULTRA PANAVISION 70 | The MGM PANAVISION Enlarged-film System By Douglas Shearer To make our system universally adaptable a 65mm negative has been chosen having standard perforations with the incorporation of a mild anamorphic squeeze in the taking lens system. | Ultra Panavision 70 - almost like a real story By Rick Mitchell Due to a financial investment from MGM, the new format was initially known as "MGM Camera 65". Because, one of its design considerations was to yield higher quality 35mm anamorphic prints, directors, cinematographers, and camera operators were instructed to keep important action within the safe action area of 2.35:1 anamorphic 35mm prints with an optical track. | 65/70mm Rules By Rick Mitchell Last night at a special program at UCLA's Bridges Theater devoted to unusual film picture and sound formats, two examples of 65mm origination and 70mm presentation were shown. | Ultra Panavision 70, Early lenses By Tak Miyagishima These earlier lenses were all engraved as having a power of 1.33X but were never used having that power. We started designing these lenses with the power of 1.33X and had to alter the power but didn’t change the engraving.
• Go to Ultra Panavision 70 - Adjustment and modifications | • Go to The Widest Story Ever Told | Panavision and the Resurrecting of Dinosaur Technology By Tyler Purcell After seeing the 70mm test footage, there was a rousing applause. The next thing we saw was a DCP version of the material and it really shows how proper film projection truly trumps digital. The blacks were mushy and undefined, the highlights were clearly peaking and the whole image looked flat. All of that beautiful depth seen in the film projection was lost. We sadly realized this format, developed in the 50's, is still better then all the money we've thrown at conventional digital projection. |
| Camera 65 and the Metro Bourke Street Bigger than… By Eric White The Bourke Street Metro was a two-gallery theatre, like the Collins Street Athenaeum, and as was the case there, the projection rake was quite steep. | • To Split or not to Split ... That is the Hollywood Question! |
| VINTAGE 65MM PANAVISION Prepared for in70mm.com by Brian Guckian, Dublin, Ireland | • Go to “PANAVISION”...new wide screen system Enry Provisor, Professional Cine Photographer December 1953 • Go to The Super Panatar Variable Type Anamorphic Lens Robert Gottschalk, President, Panavision, Inc., Hollywood. Calif. Motion Picture Herald 3 July 1954 • Go to The New Ultra Panatar Lens Film Daily 18 March 1955. • Go to MGM Adopting Panavision's 65mm Process on Big Films Daily Variety 27 April 55 • Go to METRO TO FILM TOP PIX IN 65M Hollywood Reporter 27 April 1955 • Go to New Process to Be Used For Top Pix, With Prints Also in Standard, C-Scope Film Daily 27 April 55. West coast bureau of the Film Daily • Go to Panavision 65 Projection: What It Can Accomplish Film Daily 1 November 1957. Panavision section Friday, November 1, 1957 • Go to Panavision Enters Independent Production International Projectionist, November 1957 • Go to Up, Down, Up, Down Bob Whearley, Long Beach Press Telegraph 16 Feb 1958 • Go to Wide Screen – shoots in the dark! By Henry Provisor, Home Movies, September 1958 |
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| 1957 | • Go to “Raintree County”: The North American Roadshow Engagements |
| 1959 | • Go to “Ben-Hur”: The North American Roadshow and 70mm Engagements |
| 1962 | • Go to “Mutiny on the Bounty” |
| 1963 | • Go to It’s a Big, Big, Big, Big Screen: The 70mm Presentations of “It’s a Mad, Mad, Mad, Mad World” • Go to "It's A Mad Mad Mad Mad World" (2010) • Go to Facts about the new "Mad World" 70mm print • Go to "It's a Mad, Mad, Mad, Mad World" 40th Anniversary 2003 | • Go to "It's a Mad, Mad, Mad, Mad World" 40th anniversary |
| 1964 | • Go to “The Fall of the Roman Empire”: The North American Roadshow and 70mm Engagements |
| 1965 | • Go to “The Greatest Story Ever Told” | • Go to “The Hallelujah Trail” |
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