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Widescreen Weekend Program 2009
Come and see
Cinerama and 70mm in all its splendour
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Read more
at
in70mm.com
The 70mm Newsletter
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Text by:
Thomas Hauerslev, editor, with
thanks to Sheldon Hall and Wolfram Hannemann |
Date: 21.03.2009 |
Thursday
19 March 2009
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16.00 –
18.57
“A Star is Born”
(2:56).
Filmed in: 35mm 4 perforations, 24 frames per second.
Principal photography in: CinemaScope. 1984 restoration presented on:
The flat screen, in a 35mm CinemaScope print with 4-track Dolby A.
Aspect ratio: 2,55:1. Country of origin: USA. Production year:
1954.
Originally premiere:
29.09.1954, Los Angeles, USA.
Directed by George Cukor. Screenplay: Moss Hart.
Produced by Vern Alves (associate producer), Sidney Luft (producer),
Cinematography by Sam Leavitt (director of photography). Film Editing by
Folmar Blangsted
Judy Garland (Vicki Lester / Esther Blodgett), James Mason (Norman Maine),
Jack Carson (Matt Libby), Charles Bickford (Oliver Niles).
1954 Academy Award Nominated:
Best Actor in a Leading Role James Mason
Best Actress in a Leading Role Judy Garland
Best Art Direction-Set Decoration, Color Malcolm C. Bert, Gene Allen, Irene
Sharaff, George James Hopkins
Best Costume Design, Color Jean Louis, Mary Ann Nyberg, Irene Sharaff,
Best Music, Original Song Harold Arlen (music) Ira Gershwin (lyrics) For the
song "The Man that Got Away"
Best Music, Scoring of a Musical Picture Ray Heindorf
"A Star Is Born" is not included in the price of the delegate pass
and tickets for this screening plus the Imax movies, must be purchased
separately. "A Star Is Born" is specifically part of the James Mason:
Enigmatic Elegance strand, celebrating the centenary of his birth.
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More
in 70mm reading:
Widescreen Weekend 2009
•
Gallery:
2009
• WSW Home
• Through the Years
• The Best of WSW
•
Academy of the WSW
•
Creating the WSW
•
Planning the WSW
• Projecting
the WSW •
Home of
CINERAMA
•
Projecting CINERAMA
"Where Eagles Dare" - Cinema Retro
‘Movie Classics’ Special
"Where Eagles Dare" -
40th Anniversary 1969 - 2009
Internet link:
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20.00 – 22.30
“The King and I”
(2:13)*).
Filmed in: 55mm 8 perforations, 24 frames per second.
Principal photography in: CinemaScope 55. Presented on:
The flat screen in a new restored 35mm CinemaScope 55 reduction print with 6-track Dolby Digital.
Aspect ratio: 2,55:1. Country of origin: USA. Production year:
1956.
Originally premiere: ROXY, New York, USA 28. June 1956. 70mm
version premiere: 23. March 1961 at the
Rivoli in New York,
USA.
*) 144 mins with overture, entr'acte and exit music (used in the 70mm
version, not the 35mm)
Directed by Walter Lang. Written by Margaret Landon (book "Anna and the King of Siam"). Oscar Hammerstein II (musical play). Ernest Lehman (screenplay). Produced by Charles Brackett. Original Music by Richard Rodgers. Cinematography by Leon Shamroy (director of photography). Film Editing by Robert Simpson.
Deborah Kerr (Anna Leonowens), Yul Brynner (King Mongkut of Siam), Rita Moreno (Tuptim), Marni Nixon (Anna (singing voice))
New 35mm print courtesy Schaun Belston & Kevin
Barret, 20th Century Fox Library Services,
Los Angeles, USA
1957 Academy Award Wins:
Best Actor in a Leading Role Yul Brynner
Best Art Direction-Set Decoration, Color Lyle R. Wheeler, John DeCuir, Walter M. Scott, Paul S. Fox
Best Costume Design, Color Irene Sharaff
Best Music, Scoring of a Musical Picture Alfred Newman, Ken Darby
Best Sound, Recording Carlton W. Faulkner (20th Century-Fox SSD)
Academy Award Nominated:
Best Actress in a Leading Role Deborah Kerr
Best Cinematography, Color Leon Shamroy
Best Director Walter Lang
Best Picture Charles Brackett
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Friday
20 March 2009
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10:00 – 12:00 “This is Cinerama”
(2:00) + intermission.
Filmed in:
3x35mm 6 perforations, 26 frames per second.
Principal photography in: Cinerama. Presented on:
The curve in 3-strip Cinerama with 7-track magnetic stereo.
Angle of view:
146°. Country of origin: USA. Production year:
1952.
World Premiere: 30.09.1952 The Broadway Theatre, New York, USA.
Developed by Fred Waller. Narrated by Lowell Thomas. Supervised by
Michael Todd and Michael Todd Jr. Produced by Merian C. Cooper and
Robert L. Bendick. Music by Cinerama Philharmonic Orchestra.
Cinematography by Harry Squire.
Print: National Media Museum
This is the original Cinerama feature which launched the widescreen era,
here presented in a recently struck print in the original three-strip
format, with seven-track stereo sound. There is no narrative, merely a
variety of 'attractions': the famous rollercoaster ride is followed by a
series of musical and travelogue episodes culminating in an aerial tour
of America. More than a technological curio, it's a document of its era.
1953 Academy Award Wins:
Fred Waller (d. May 18, 1954) for designing and developing the multiple photographic and projection systems which culminated in Cinerama.
Academy Award Nominated:
Best Music, Scoring of a Dramatic or Comedy
Picture
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12.30 – 14.32 "The Taming of the Shrew" (2:02).
Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The flat screen in a vintage 70mm print with 6-track magnetic stereo.
Aspect ratio: 2,21:1. Country of origin: USA. Production year:
1967
World Premiere: UK 27 February 1967 (London) (premiere: Royal Film Performance).
The 70mm blow-up version was first shown in the UK on 15 Feb 1973 at the
Odeon, St Martin's Lane, London.
Directed by Franco Zeffirelli. Franco Zeffirelli, Suso Cecchi d'Amico & Paul Dehn (screenplay). Produced by Richard McWhorter. Original Music by Nino Rota. Cinematography by Oswald Morris. Film Editing by Peter Taylor
Elizabeth Taylor (Katharina), Richard Burton (Petruchio), Cyril Cusack (Grumio), Michael Hordern (Baptista), Vernon Dobtcheff (Pedant), Michael York (Lucentio)
1967 Academy Award Nominated:
Best Art Direction-Set Decoration, Lorenzo Mongiardino, John DeCuir, Elven Webb, Giuseppe Mariani, Dario Simoni, Luigi Gervasi
Best Costume Design Irene Sharaff, Danilo Donati
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15.00 – 17.00 "Faubourg 36"
Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The flat screen in a new 70mm print with 6-track DTS
stereo.
Aspect ratio: 2,21:1. Country of origin: France. Production year:
2008
World Premiere: Gaumont Opera cinema, 24.09.2008, France. Also screened at the Toronto Film Festival, Canada 6 September 2008.
Director: Christophe Barratier. Writer: Christophe Barratier (writer)
Pierre Philippe (dialogue). Produced by: Original Music by Reinhardt Wagner. Cinematography by Tom Stern (director of photography). Film Editing by Yves Deschamps. Production Design by Jean Rabasse
Gérard Jugnot (Pigoil), Clovis Cornillac (Milou). Kad Merad (Jacky Nora Arnezeder (Douce). Pierre Richard (Monsieur TSF), Bernard-Pierre Donnadieu (Galapiat), Maxence Perrin (Jojo), François Morel (Célestin
The setting is spring 1936; a working-class district in the north of Paris.
This neighborhood probably had a name once but now everyone simply calls it
the Faubourg. In early may, three residents of the Faubourg - Pigoil, Milou,
and Jacky - still sulk over the closing of the Chansonia four months ago.
Supported by the locals who live to the rhythm of monsieur Tsf’s radio, the
three friends decide to take hold of their destiny by producing the “hit”
musical the Chansonia has always needed. With the help of the town, and the
arrival of a mysterious and beautiful young actress named Duce, Pigoil,
Milou, and Jacky bring the magic of the stage back to the Chansonia.
Subtitled in English on-line by NMM's own Deb Singleton, as she speaks
French!, by way of a lengthy PowerPoint presentation prepared by Symon on
the basis of subtitle files provided by Pathé.
From the recent subtitle test screening in Bradford:
"Faubourg 36" looked absolutely beautiful and Deb did a fantastic job
operating the subtitles. The quality was mightily impressive and several
staff said it looked as though it had been filmed in 65mm. A very enjoyable
film with some wonderful music and songs. Duncan McGregor
"Faubourg 36" in 70mm in Paris, France
"Faubourg 36"
Official movie site
70mm print curtesy Pathe UK
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Markus
Vetter, Vincent Koch, Clemens Scherer and Melanie Hoffmann, - the German delegation. Image Thomas Hauerslev
17:00 Reception for weekend delegates in the Kodak Gallery. Always a
popular event
Images from the 2008 reception
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"Where Eagles Dare" - Screen talk
with
Derren Nesbitt
Screen
shot from "Where Eagles Dare", with Derren Nesbitt, Ingrid Pitt and Mary Ure.
Copyright MGM 1969
18.45 – 19.45 Screen talk interview with cast & crew of "Where Eagles
Dare"
Derren Nesbitt (19 June 1935) has confirmed his participation. One of the
last surviving members (Clint Eastwood and Ingrid Pitt are still with us) of
the cast of "Where Eagles Dare" reminiscences about his experiences
on this classic war movie. We hope to be joined by other cast and crew for
this special reunion.
Rather intriguing British actor who first appeared on UK cinema & TV
screens in the late 1950s, and quickly found steady work as a rather
unpleasant or untrustworthy individual. His cold, yet cunning features had
him appearing in guest roles on many UK TV series' including "The
Adventures of Sir Lancelot" and "William Tell", and the 1960s
then proved to be his busiest period of work!
Nesbitt put in strong, intelligent performances in the WW1 aviation
spectacle "The Blue Max" (1966), as a cold war agent pursuing Frank
Sinatra in "The Naked Runner" (1967) and probably his best remembered
role, as Major Von Hapen, an ice cold SS officer nearly foiling Clint
Eastwood and Richard Burton plans in "Where Eagles Dare" (1968)
The talented Nesbitt also wrote, directed and starred in the fairly tepid
"The Amorous Milkman" (1975) and was kept busy through most of the 1970s
in further espionage / action films. Unfortunately, demand for his talents
waned heavily in the 1980s and early 1990s with appearances in only a
handful of films. His last film appearance to date was in "Flawless"
(2008).
Derren Nesbitt's visit gallery
IMDb Mini
Biography By: firehouse44@hotmail.com
+
Wikipedia
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20.00 – 22.55 "Where Eagles Dare" (2:38)
+ intermission. Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The flat screen in a vintage 70mm print with 6-track magnetic stereo.
Aspect ratio: 2,21:1. Country of origin: USA. Production year:
1968
World Premiere *): 14.12.1968, Japan. 22.01.1969, Empire, Leicester
Square, London UK
Richard Burton (Maj. Jonathan Smith, MC), Clint Eastwood (Lt. Morris Schaffer), Mary Ure (Mary Elison), Patrick Wymark (Col. Wyatt Turner, DSO MC), Michael Hordern (Adm. Rolland), Donald Houston (Capt. James Christiansen), Peter Barkworth (Edward Berkeley), William Squire (Capt. Philip Thomas), Robert Beatty (Gen. George Carnaby), Brook Williams (Sgt. Harrod), Neil McCarthy (Sgt. Jock MacPherson),
Vincent Ball (Carpenter), Anton Diffring (SS-Standartenführer Kramer), Ferdy Mayne (Gen. Rosemeyer), Derren Nesbitt (SS-Sturmbannführer Von Hapen)
*) 22 January 1969 was the date of the UK premiere, (at the Empire,
Leicester Square (it interrupted a run of the 70mm version of
"GONE WITH THE WIND"). It was given a trade press preview in
an unfinished state, without the music score, in the US in early December
1968) the public run starting the following day. I’ve checked the materials
I have on it (trade paper coverage and ads) and nowhere do they say “WORLD
Premiere”, only “Gala Premiere”, so the WP was elsewhere, quite possibly in
Japan. Sheldon Hall
imdb.com list the film's Japanese opening date in late December 1968. Opened
in Denmark 20.01.1969 as "European Premiere". Editor
40th anniversary screening sponsored by
Cinema Retro.
Cinema Retro
‘Movie Classics’ Special +
40th Anniversary 1969 - 2009
+
Posters +
Filming Locations
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Saturday
21 March 2009
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Randy Gitsch and Dave Strohmaier. Image by Thomas Hauerslev
10.00 – 11.00 Cinerama Ventures.
Dave Strohmaier and Randy Gitsch return to Widescreen Weekend for the 4th
time to venture into a program of new items on our screen.
Included will be the exciting story of rescuing the only surviving 3 panel
print of "Cinerama's Russian Adventure", highlighted with an
exclusive sampling of 18 minutes of selected 3 panel scenes from this
rescued print. A tribute to the first "Super Cinerama" theater ever built:
The Cooper Cinerama in Denver Colorado. A never before seen short subject
commemorating the New Neon Movies in Dayton Ohio highlighting the efforts of
John Harvey and Larry Smith. A nine minute behind the scenes video
presenting the Arclight Hollywood Cinerama experience of showing "How The
West Was Won", including interviews with John Sittig, director of
Cinerama Inc. and long time veteran Cinerama projectionist Gunther Jung.
There will also be an update on the current Cinerama news from Hollywood.
David Strohmaier (Director-Editor-Writer) on
imdb.com
Randy Gitsch (Producer-Writer-Actor) on
imdb.com
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3-strip clip of "Cinerama's Russian Adventure".
Presented by David Strohmaier. The first 18
minutes of reel one, a bit faded but with very good contrast.
Filmed in Sovcolor 3-strip Kinopanorama. Originally released
March 29, 1966 in Chicago. Later optically printed to 70mm.
Original film included sequences from:
Great is my Country 28.02.1958
The Enchanted Mirror 1958
One hour of Unexpected Travels by Helicopter 1960
Fourth Programme of Panorama Films: "Circus Performance " and
"On the Red Square" 1961
Naughty Curves 1961
With an Open Heart 1961
To the Antarctic for the Whales 1961
Amazing Hunting 1962
The Volga Flows On 1963
The film itself was extraordinarily interesting, as it had
several scenes from Russian life filmed daringly by the Russians
with their monstrous 3-panel Kinopanorama camera. Scenes
included scenes from the Moscow metro trains, whale hunting in
the Arctic, circus performing including a very young world
renowned clown Mr. Oleg Popov, spectacular river rafting and the
usual (boring) ballet scenes.
Shown complete in 70mm during 2004
Wide Screen Weekend. See the
poster
3-strip print thanks to John Sittig,
Pacific Theatres, Hollywood.
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11.15 – 14.30
“How the West Was Won”
(2:42) + intermission.
Filmed in:
3x35mm 6 perforations, 24 frames per second.
Principal photography in: Cinerama. Presented:
On the curved
screen in
single-lens
digital version
with uncompressed 5.1 track
digital stereophonic sound.
Angle of view: 146°. Country of origin: USA. Production year:
1961.
World Premiere: 01.11.1962 Casino, London, England.
Written by James R. Webb. Produced by Bernard Smith. Original Music by
Ken Darby and Alfred Newman. Cinematography by William H. Daniels,
Milton R. Krasner, Charles Lang and Joseph LaShelle. Directed by John
Ford, Henry Hathaway and George Marshall.
Carroll Baker (Eve Prescott Rawlings), Lee J. Cobb (Marshal Lou Ramsey),
Henry Fonda (Jethro Stuart), Gregory Peck (Cleve Van Valen), Debbie
Reynolds (Lilith 'Lily' Prescott), James Stewart (Linus Rawlings), Eli
Wallach (Charlie Gant)
There are westerns and there westerns.
"How the
West Was Won" is something very special on the deep curved
Cinerama screen and 7 track stereo sound. Thanks to generous
contributions from many of the fans, we have been able to keep this
excellent print going to present the best three strip Cinerama film ever
made. A hit at the Festival year after year, we just can't let this
classic lie dormant. Bringing together three of the best Hollywood
western directors, "How the West Was Won" tells the story of the
development of the west from a pioneering family from the 1830s to the
Civil War. The panoramic scenes across the three panels and the full
curved screen are spectacular and the lift from Alfred Newman's
extraordinary score is exhilarating. Cinerama is the only way to see the
film, everything else palls by comparison.
"How the West was Won" is presented in a new restored digital print with
5.1 uncompressed digital stereo.
Remastering introduction by
Dave Strohmaier including Tom March's 5 minute How The West Was Won location
video.
Academy Award Wins:
Best Film Editing Harold F. Kress
Best Sound Franklin Milton (M-G-M SSD)
Best Writing, Story and Screenplay - Written Directly for the Screen, James
R. Webb
Academy Award Nominated:
Best Art Direction-Set Decoration, Color George W. Davis, William Ferrari,
Addison Hehr, Henry Grace, Don Greenwood Jr., Jack Mills
Best Cinematography, Color William H. Daniels, Milton R. Krasner, Charles
Lang, Joseph LaShelle
Best Costume Design, Color, Walter Plunkett
Best Music, Score - Substantially Original Alfred Newman, Ken Darby
Best Picture Bernard Smith
"How the West Was Won" -
finally in CINERAMA
out of one hole
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15.00 – 18.15
"The Bible...in the Beginning"
(2:54) (+ intermission).
Filmed in:
65mm, 5 perforations, 24 frames per second.
Principal photography in:
Dimension 150. Presented
on:
The curved
screen in a new 70mm print with the D-150
Super
Curvulon
lens. Sound: DTS Special Venue 6-track Todd-AO layout.
Aspect ratio: 2,21:1. Country of origin: Italy/USA. Production year:
1966
World Premiere: 28.09.1966, State Cinema, New York.
Director by John Huston. Screenplay by Vittorio Bonicelli and
Christopher Fry. Produced by Dino De Laurentiis. Original music by Toshirô
Mayuzumi. Cinematography by Giuseppe Rotunno. Edited by Ralph Kemplen
Michael Parks (Adam), Ulla Bergryd (Eve), Richard Harris (Cain), John Huston
(Noah / Voices of God, The Serpent / Offscreen Narrator), Stephen Boyd
(Nimrod), George C. Scott (Abraham), Ava Gardner (Sarah), Peter O'Toole (The
Three Angels), Gabriele Ferzetti (Lot), Franco Nero (Abel)
About Dimension 150
and the
Super
Curvulon lens.
New 70mm print courtesy Schaun Belston & Kevin Barret, 20th Century Fox Library Services,
Los Angeles, USA
Academy Award Nominated:
Best Music, Original Music Score Toshirô Mayuzumi
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18.45 – 19.45 At the Cutting Edge: Digital
Cinema
With Darren Briggs
This session will cover the current roll-out of D-Cinema and will examine
its impact both in the UK and abroad. In addition it will look at Digital
IMAX and provide a demonstration of Dolby’s digital 3D system.
Sponsored by Arts Alliance Media with the support of Dolby Digital.
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20.00 – 22.32 "West Side Story"
(2:32) + intermission (22:47). Filmed in: 65mm 5 perforations, 24 frames
per second. Principal photography in:
Super Panavision 70. Presented on: The curved
screen in a new Super Panavision 70 print with a new 5.1 digital DTS soundtrack. Aspect
ratio: 2,21:1. Country of origin: USA. Production year: 1961.
World
Premiere: Rivoli, NY, on 18 Oct 1961; UK Royal Command premiere on 26
February 1962 at Odeon Leicester Square (one screening only), followed by a
run at the Astoria starting the following day.
1962 Academy Award Wins:
Best Actor in a Supporting Role George Chakiris
Best Actress in a Supporting Role Rita Moreno
Best Art Direction-Set Decoration, Color
Boris Leven, Victor A. Gangelin
Best Cinematography, Color Daniel L. Fapp
Best Costume Design, Color Irene Sharaff
Best Director Robert Wise, Jerome Robbins
For the first time a directing award is being shared.
Best Film Editing, Thomas Stanford
Best Music, Scoring of a Musical Picture, Saul Chaplin, Johnny Green, Sid
Ramin, Irwin Kostal
Best Picture Robert Wise
Best Sound Fred Hynes (Todd-AO SSD)
Gordon Sawyer (Samuel Goldwyn SSD)
Academy Award Nominated:
Best Writing, Screenplay Based on Material from Another Medium, Ernest
Lehman
Official
MGM site
Considered one of the most popular musicals of all time,
"West Side Story"
earned director Robert Wise an Oscar for Best Director as well as nine other
Academy Awards, including Best Picture. Realistically portrayed characters
and their surroundings and expert editing complementing innovative dance
sequences mark this highly stylized modern-day Romeo and Juliet tale. The
stage is set in New York's Upper West Side in the 1950s, where the area's
slums are plagued by racial tensions acted on by two rival gangs: the Puerto
Rican Sharks and the Caucasian Jets. In the middle of this mess is young,
innocent Maria (Natalie Wood), a Puerto Rican seamstress whose brother,
Bernardo (George Chakiris), is the leader of the Sharks. Despite the
warnings of Anita (Rita Moreno), Bernardo's fiery girlfriend, Maria falls in
love with a young, hopeful Polish boy, Tony (Richard Beymer), who used to
belong to the Jets, now headed by Riff (Russ Tamblyn). When Tony, on Maria's
urging, tries to stop a rumble between the gangs, tragedy ensues, marking
their dedicated love affair with violence and desperation. The infectious,
lyrical landmark score by Leonard Bernstein and Stephen Sondheim help round
out one of the greatest musical experiences ever captured on film.
"West Side Story"
was added to the Library of Congress National Film Registry in 1997.
Have a look at the alternative
Frankentrailer
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Sunday
22 March 2009
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09:00
- 10:00 "This is New Zealand"
From 37th Wellington Film Festival web site: Director: Hugh Macdonald.
Year: 1969. Running time: 58 mins. NZ. Screenplay/Editors: Hugh
Macdonald, David Jordan. Associate directors: David Jordan, Rob Ritchie.
Producer: David H. Fowler.
Executive producer: Geoffrey Scott. Photography: Kell Fowler, Murray Creed, Sam Grau.
Camera assistant: Rob Wright. Location sound: Kit Rollings, Brian Shennan, Noel Sheridan.
Sound editing and mixing: Kit Rollings. Associate mixer: Ron Skelley.
Presented in
CinemaScope on the flat screen. Digital restoration by: Archives New Zealand and Park Road Post
When Britain joined the Common Market in 1969, New Zealand suddenly had to
start promoting itself to the world, in order to develop alternative markets
for our goods. One of the ways it did so was to take part in Expo 70, in
Osaka, Japan. The star attraction at that event was a revolutionary
20-minute film made by the National Film Unit that introduced viewers to New
Zealand in a glorious three-screen (and three-camera) presentation. With
highly inventive camera work and editing, it showed everyone where we are,
who we are, and - taking advantage of the super-widescreen format - what a
spectacularly beautiful land we live in. The film was seen by more than two
million people at Expo 70, and by 350,000 more when it returned home
afterwards. Hidden from view since that time, this landmark film has been
given a stunning restoration by Archives New Zealand and Park Road Post, and
it looks - and sounds (now in 5.1 digital) - better than it ever has before.
Print
courtesy of
Archives New Zealand
"This is New Zealand"
3-strip EXPO Film From New Zealand
Bob Jessopp: I had organised clearance for this from the National Film
Archives through a friend and I believe Bill Lawrence was looking after
this. It has now been put onto single 35mm film and looks mighty. I saw it
projected onto a 100ft screen and it had people in the audience in tears. I
kid you not. I am sure if you do screen it you will not be disappointed.
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10:00 – 12:30 Cineramacana including the odd surprise and the Academy of the
Widescreen Weekend presentation.
One of the most popular events of the Widescreen Weekend and a
great way to wake up on a Sunday morning, Cineramacana brings
together all those little bits and pieces that lie around in
people’s cupboards or on dusty shelves in archives and seldom
see the light of a projector. Over the years there have been
some magical discoveries and nobody knows what will be shown
until the event itself. Even then there is the occasional
surprise.
Randy Gitsch has a brief History on 70mm Cinerama shorts he will
use to introduce "Bridge to Space" (1968) (18 minutes,
faded), directed by
"Cinerama
Holiday",
"Windjammer" and
"Sky over Holland"
widescreen veteran
Robert Gaffney, with Charles Trieschmann producing for NASA
and Seneca Productions, and "Concorde" (1970) (around 20
minutes, faded), directed by Pierre Jallaud for Open University
Productions, are the two films.
Dion Hanson’s presentation on the projection room refurbishment
15 – 20 minutes.
And there will just be time for the traditional
Audience on stage photograph of all the WSW delegates.
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"Tanakh Bibelen Al-Quran" (4'20'').
Filmed
in:
65mm, 5 perforations, 24 frames per second.
Principal photography in:
MCS-70
Superpanorama. Presented:
On the curved screen in 70mm. Sound:
DTS 6-track. Aspect ratio: 2,21:1. Country of origin:
Norway. Production year:
2007
35mm World Premiere: October 2007, Bergen, Norway, UK 70mm Premiere:
22.03.2009 Pictureville, Bradford, UK
Director
and screenplay: Ole Mads Sirks Vevle. Photography and editor:
Morten Skallerud. Composer: Music published by Touch Music.
Sound: B.J. Nilsen. Producer: Ingvild Hellesøy. Production
company: Solepropriatorship Ole Mads Sirks Vevle. Genre:
Animation.
Laboratory: Gulliver, Paris v/Simone Appleby.
Technical support: Dominique Benichetti. Sound mix: Europa Post Production, Stockholm, Gabor Pasztor.
Financed by: Vestnorsk Filmfond, with thanks to Irmelin Nordahl
and Hans Dragesund. Norsk Filmfond, with thanks to Peter Bøe.
Fond for Lyd og Bilde.
Summary: One God. One movie. One revelation. 3000 years after
the first records of the biblical writings, this movie presents
a complete screen version of the Hebrew Bible, the Christian
Bible and the Arabic Quran. Nothing is added and nothing is
taken away.
Festival participation: 2007 Bergen International Film
Festival. 2008 Scandinavian Film Festival, Bonn, Germany. 2008
Norwegian Short Film Festival, Grimstad
The making of "Tanakh
Bibelen al-Quran",
www.olemadssirksvevle.com,
Norwegian Film Institute
Director's mini biography:
Ole Mads Sirks Vevle (b. 1971) won two prizes during the Critics
Week at the 2003 Cannes Film Festival for his short "Love is
the Law" (2003), which was co-directed by Eivind Tolås.
Vevle was educated at the Nordland Art and Film School, and has
made numerous short films and installations. Filmography:
2007: "Tanakh Bibelen Al-Quran" 2006: "Tungetale ved
første møte" 2005: "My Loneliness is Killing Me"
2004: "But What's It All About?" 2003: "Love is the
Law" 2001: "Int. Morning. Bedroom" 1999: "The Holy
Bible"
MCS 70 - Superpanorama films
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13.00 – 13.30 Richard Burton: Lion of the Welsh presented by Tony Earnshaw
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13.30 – 16.15 "Becket"
(2:28) + intermission.
Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The
flat screen in a vintage Panavision 70mm print with 6-track magnetic stereo.
Aspect ratio: 2,21:1. Country of origin: USA. Production year:
1964
World Premiere: 11.03.1964, US. English premiere:
Plaza, Lower Regent Street, London, on 25 March, following the premiere run
of "Zulu". "Becket" was the first film shown at the Plaza in
70mm, which was installed for the occasion.
Directed by Peter Glenville. Writing credits Edward Anhalt. Produced by Hal
B. Wallis. Original Music by Laurence Rosenthal. Cinematography by Geoffrey
Unsworth (director of photography). Film Editing by Anne V. Coates
Richard Burton (Thomas à Becket), Peter O'Toole (King Henry II), John
Gielgud (King Louis VII of France), Donald Wolfit (Bishop Folliot), Pamela
Brown (Queen Eleanor [of Aquitaine], Siân Phillips (Gwendolen)
1965 Academy Award Wins:
Best Writing, Screenplay Based on Material from Another Medium Edward
Anhalt.
Academy Award Nominated:
Best Actor in a Leading Role Richard Burton
Best Actor in a Leading Role Peter O'Toole
Best Actor in a Supporting Role John Gielgud
Best Art Direction-Set Decoration, Color John Bryan, Maurice Carter, Patrick
McLoughlin, Robert Cartwright
Best Cinematography, Color Geoffrey Unsworth
Best Costume Design, Color Margaret Furse
Best Director Peter Glenville
Best Film Editing Anne V. Coates
Best Music, Score - Substantially Original Laurence Rosenthal
Best Picture Hal B. Wallis
Best Sound John Cox (Shepperton SSD)
Classic struggle between Church and Monarchy. Thomas Becket and King Henry
Plantagenet engage in one of the most famous power struggles in English
history. When Becket first becomes chancellor and later Archbishop of
Canterbury, a rift grows between Henry II and his old friend. Some eager
drunken knights trying to please the disgruntled monarch assassinate the
cleric in the cathedral.
Two of the finest actors of their generation, Burton and O'Toole, square off
in this splendid production of Jean Anouilh's 1959 play. The lifelong
friendship of Henry II and the Archbishop of Canterbury, Thomas Becket, is
tested and ends in tragedy as Becket grows more confident and thoughtful in
his position. Academy Award Nominations: 12, including Best Picture, Best
Director, Best Actor- Richard Burton, Best Actor--Peter O'Toole. Academy
Awards: Best (Adapted) Screenplay (Edward Anhalt).
Re-release poster from
eatbrie.com
"Becket" was recently restored. Here are the details from the
official "Becket"
web
site from MPI Media Group: With the original 35mm conformed negative
missing, the restoration team set to work on the best available elements:
the black & white YCM (yellow, cyan, magenta) separation protection masters.
After much time-consuming labor and color timing, and under careful
supervision by Michael Pogorzelski, director of the Academy Film Archive, a
recombined color interpositive was created by YCM Labs of Burbank,
California.
Meanwhile, the audio restoration team at Chace Productions in Burbank, CA,
worked on the original 35mm magnetic tracks. The tracks were in an advanced
state of decomposition and shedding significantly to the point of clogging
the heads every few feet. In the end, Chace managed to not only faithfully
reproduce the original mono soundtrack, but also create breathtaking new 2.0
stereo and 5.1 Dolby Digital soundtracks.
With generous technical and financial support provided by the Film
Foundation and the Academy of Motion Picture Arts and Sciences, the MPI
Media Group is proud to present the beautifully restored "Becket."
70mm print curtesy the Kino Mir 70 cinema, Krnov, Czeck Republic
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16.45 – 18.55 "Carousel"
(2:07).
Filmed in: 55mm 8 perforations, 24 frames per second.
Principal photography in: CinemaScope 55. Presented on:
The flat screen in a new restored 35mm CinemaScope 55 reduction print with 6-track Dolby Digital.
Aspect ratio: 2,55:1. Country of origin: USA. Production year:
1956.
World Premiere: 28.06.1956 ROXY, New York, USA (ran for 8 weeks).
Directed by Henry King. Writing credits Phoebe Ephron & Henry Ephron.
Produced by Henry Ephron. Cinematography by Charles G. Clarke. Film Editing
by William Reynolds
Gordon MacRae (Billy Bigelow), Shirley Jones (Julie Jordan), Cameron
Mitchell (Jigger Craigin), Barbara Ruick (Carrie Pipperidge), Claramae
Turner (Cousin Nettie)
New 35mm print courtesy Schaun Belston & Kevin
Barret, 20th Century Fox Library Services,
Los Angeles, USA
From
Wikipedia: The story revolves around Billy Bigelow, a rough-talking,
macho, handsome carousel barker, and Julie Jordan, a young, innocent mill
worker. They fall in love, but both are fired from their jobs for different
reasons - Billy because he paid too much attention to Julie, and Julie
because she stayed out past the curfew imposed by the understanding but
stern mill owner, Mr. Bascombe. The two marry and go to live at the seaside
spa of her cousin Nettie, but Billy becomes bitter because he is unable to
find work, and in his frustration, strikes Julie (this moment is not shown
at all in the film). Mrs. Mullin,the jealous carousel owner who is
infatuated with him, hears of this and goes to Nettie's to offer Billy his
old job back, but will not re-hire him unless he leaves his wife. Billy
seems to be considering the idea when Julie asks to talk privately. Julie
tells him she is pregnant and Billy is overjoyed and overly concerned about
her health,- trying to help her up the stairs- and refuses Mrs. Mullins
offer.He sings most of his soliloquy about playing and having fun with 'his
boy,' then realises it may be a girl, and because of this he sees he needs
something to offer his daughter, singing his resolution to do anything, even
stealing, to support his little girl. So, concerned about not being able to
provide for his child, Billy secretly agrees to join his no-good pal Jigger
Craigin in robbing the wealthy Bascombe. On the boat ride with Mr. Snow and
his intended to the clanbake that night however he appears uncomfortable and
uneasy in mind. During the clambake Jigger tells Mr. Snows fiance that he'll
show her how to defend herself. Mr. Snow walks in just in time to see her
over his shoulder. He is upset and tells her the engagement is off. During
the annual clambake treasure hunt the two men sneak away. They play cards to
pass the time till the robbery, playing on credit of the money they will
steal. The man they are to rob has a gun and in trying to escape him he is
accidently killed on his own knife. Julie gets to him hardly a minute before
he dies. His last words are "Julie...hold my hand-tighter... tighter..." The
carosel owner Mrs. Mullin arrives desperate to see him just after his death.
Fifteen years later, in the other world (apparently the back door of
Heaven), he is told that he can return to Earth for one day to make amends.
Billy returns to find his daughter Louise emotionally scarred because she is
constantly taunted over the fact that her father tried to commit a robbery.
Billy, not telling her who he is, makes himself visible, tries to cheer her
up, and gives her a star that he stole from Heaven. Louise refuses it,
frightened, and Billy, in desperation, slaps her hand. She rushes inside the
house and informs Julie of what happened, saying that she did not feel a
slap, but a kiss. Billy tries to make himself invisible before Julie can see
him, but she has glimpsed him for just a split second, and senses that he
has come back for a reason. Billy asks his Heavenly Guide for permission to
go to Louise's high school graduation, and there he silently gives both her
and Julie the confidence they need and the knowledge that, in spite of
everything, he loved Julie.
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19.30 – 21.44 "Khartoum"
(2:14) + intermission (22:00). Filmed in: 65mm 5 perforations, 24 frames
per second. Principal photography in:
Ultra Panavision 70.
Presented on: The curved
screen in a new Ultra Panavision 70 print with 6-track DTS soundtrack. Aspect
ratio: 2,76:1. Country of origin: USA. Production year: 1966.
Premiere: 9. June 1966, Casino Cinerama, in London, England.
Director: Basil Dearden. Photography: Edward Scaife. Music by: Frank
Cordell. Produced by Julian Blaustein. Film Editing by Fergus
McDonell
Charlton Heston (Gen. Charles 'Chinese' Gordon), Laurence Olivier
(The Mahdi), Richard Johnson (Col. J.D.H. Stewart), Ralph Richardson
(William Gladstone), Alexander Knox (Sir Evelyn Baring)
Academy Award Nominated:
Best Writing, Story and Screenplay - Written Directly for the Screen
Robert Ardrey
From
Wikipedia: The film is about the last months before the British lost
their emplacement in Sudan - in theory a subject territory of Egypt - in
January 1885. Britain had occupied, but did not formally annex, Egypt in
1883. This is why Gordon, who is technically the "Egyptian" governor of the
Sudan, wears a red Egyptian fez.
In 1883, 10,000 untrained Egyptian troops under British command in Sudan are
lured into the desert and slaughtered by Arab tribesmen under the leadership
of the Mahdi, a religious fanatic who believes he is the "expected one of
Mohammed." As a result of the massacre, Britain's Prime Minister William
Gladstone (Ralph Richardson) reluctantly sends one of England's great
military men, Gen. Charles Gordon, to Khartoum with orders to evacuate
troops and civilians.
Gordon, a brandy and Bible loving soldier nicknamed "Chinese" because of the
6 years he spent in the East eliminating the centuries-old slave traffic, is
told that his mission must remain unofficial and that he has no authority to
act in the name of the Queen. Although Gordon is hailed in Khartoum as a
savior, he and his only aide, Col. J. D. H. Stewart (Richard Johnson), are
unable to negotiate with the Mahdi.
In England, Gladstone, informed of the increasing hopelessness of the
situation, orders Gordon home; but, as fanatical in his own right as the
Mahdi, Gordon refuses. Following the murder of Stewart, a final
confrontation takes place between the two men, and both assert that they
welcome death if dying brings about the destruction of their enemy. Soon,
Gordon's small army faces the onslaught of 100,000 Arabs.
Khartoum falls, and Gordon is slain by a dervish's spear. His head is
mounted on a pole and brought before the Mahdi. Outraged, the Mahdi screams
that he forbade such an action. Some months later, the British, under the
command of Major Kitchener (Peter Arne), retake the besieged city and Gordon
is honored as a national hero.
The political origins of the Khartoum affair are unclear. The film
postulates a meeting between the Prime Minister, Mr. Gladstone (correctly
shown wearing a finger-stall to cover a finger lost in a shooting accident
as a young man), and other officials, which Gladstone ends by declaring
never to have taken place.
The secret meeting between Gordon and the Mahdi in the Mahdist camp, as
portrayed in the film, is entirely fictional.
The final shot of Gordon descending a staircase before being speared to
death, is based on a famous painting.
Major Kitchener (Peter Arne), who played a role in Gen. Wolseley's (Nigel
Green) relief expedition, was himself later a famous general and commanded
the Anglo-Egyptian conquest of the Sudan in 1898. He was known thereafter as
Lord Kitchener of Khartoum.
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Monday
23 March 2009
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"Year of the Dragon"
(2:14).
Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The flat screen in a vintage 70mm print with 6-track magnetic Dolby
stereo.
Aspect ratio: 2,21:1. Country of origin: USA. Production year:
1985
World Premiere: 16.08.1985, USA
Directed by Michael Cimino. Screenplay Oliver Stone and Michael Cimino.
Produced by Dino De Laurentiis. Original Music by David Mansfield.
Cinematography by Alex Thomson. Film Editing by Noëlle Boisson and Françoise
Bonnot
Mickey Rourke (Capt. Stanley White), John Lone (Joey Tai), Ariane (Tracy
Tzu), Leonard Termo (Angelo Rizzo), Raymond J. Barry (Louis Bukowski),
Caroline Kava (Connie White)
From Wikipedia: Mickey Rourke plays Stanley White, a decorated police
captain and Vietnam War veteran who is assigned to New York City's
Chinatown, which he makes his personal mission to rid of crime. John Lone
plays Joey Tai, a young man who ruthlessly rises up to become the head of
the Chinese triad societies, and as a result of his ambition, creates a high
profile both for himself and the triads' activities. Together, they end the
uneasy truce that has existed between the triads and the police precinct.
The film is an exploration of gangs, the illegal drug trade, ethnicity,
racism, and stereotypes.
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12.45 – 14.45
"The Electric Horseman"
(2:00).
Filmed in:
35mm, 4 perforations, 24 frames per second.
Principal photography in: Panavision. Presented on:
The flat screen in
Panavision 70mm with 6-track magnetic stereo.
Aspect ratio: 2,21:1. Country of origin: USA. Production year:
1979
World Premiere:
Directed by Sydney Pollack. Screenplay Robert Garland. Produced
by Ronald L. Schwary & Ray Stark. Original Music by Dave Grusin.
Cinematography by Owen Roizman, Film Editing by Sheldon Kahn
Robert Redford (Norman 'Sonny' Steele), Jane Fonda (Alice 'Hallie'
Martin), Valerie Perrine (Charlotta Steele); Willie Nelson
(Wendell Hickson), John Saxon (Hunt Sears), Sydney Pollack (Man
who makes pass at Alice)
From Wikipedia: Sonny Steele (Robert Redford) is a former
championship rodeo rider who has sold out to a business
conglomerate and is now reduced to making public appearances to
sell a brand of breakfast cereal. Prior to making a Las Vegas
promotional appearance to ride the champion thoroughbred Rising
Star, Sonny discovers the horse has been drugged and is injured.
Identifying with the plight of the horse and disillusioned with
the present state of his life, Sonny decides to kidnap the
animal and travel cross country in order to release it in a
remote canyon where herds of wild horses live. Hallie Martin
(Jane Fonda), a television reporter eager to be the first to
break the Rising Star story, catches up with Sonny and follows
him on his unusual quest across the countryside. While en route,
the unlikely pair fall in love, all the while having to avoid
the pursuing authorities.
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28-07-24 |
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