“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Le CAPRI Juan les pins
LE CINEMA DE NOTRE TEMPS

Read more at
in70mm.com
The 70mm Newsletter
Written by: Sylvian Coudène in French and translated into English by Francois Carrin. Date: 3 March 2006
Devoted today to fast food and other video games theatres, Juan-les-Pins was formerly one of the most crested French Riviera seaside resorts, the rival of Saint-Tropez. The resort decline began in the seventies.

In the eighties, the break was closing of Provencal hotel, to day in pathetic abandoned shape. In the sixties, the resort was at its height: in the Goud pinewood most of international stars were welcome at the Jazz festival from Ella Fitzgerald to Miles David.

Most of Hollywood stars were very welcome at Le Provencal: Chaplin, Gary Cooper and others, as international jet-set.

It was no rare, in these clubs, to see during a jam session (an "ox" in French) musicians as famous as Louis Armstrong, Oscar Peterson or Lionel Hampton.

Within this context, close to Cannes (European cinema capital), the opening of a new cinema in Antibes/Juan-les-Pins was obvious.

In these times (1966) owned 4 theatres: the Palmarium, the Rex, l'Antipolis and the Casino, and a a moth-eaten in Juan, the Ritz.

It was not the time of "full car" and the competition with Cannes - a dozen of theatres in this time - did not showed.

It will be evident later: today in Antibes it's only the Casino including 3 theatres, most of audience preferring to go and see a film in Cannes, 15 minutes by car.

 
Further in 70mm reading:

Version FR

Internet link:

A Cinema of Our Time

 
However, growing of car importance was watched by Capri managers; they build the theatre along the (famous) Nationale 7 - National Road number 7 - between Antibes ... and Cannes, along Juan les Pins exit. Today it would be an obvious logic but in these times the forerunners were some years ahead ! I apologize for dates errors: in this time I was a child.

A 600 seats theatre was built with an about 400 cars space to park, in a desert location. However my memory can play a trick, but this is what I can remember: a sober grey and white building, imposing and modern architecture, with this time logo "OUR TIME CINEMA".

It was a marble entrance hall with a bar and barman. On the left, the large book office, no a "site office" as in Antibles usual one. We were welcomed by pretty in uniform usherettes (it was full different from the unpleasant old biddies in other theatres). They guided us inside the theatre, and the first time it was wonderful: a large cubic rectangle with golden wall carpet in matching tones. On the floor, 600 green QUINETTE seats (I remember it, it was written in the ads) where we delightfully seated.

A wall to wall curtain in two parts (for the ad), masking a 120 square meters screen, in these time it was very impressive for us. When the curtain opened in the front of the huge curved screen, audience was filled for admiration with ah! and oh!

In the bottom of the curtain was located a big jardiniere with exotic plants, lighted with green spotlights and just before features and during 70mm roadshows musical overtures fountains were in action.

The theatre was inaugurated with a Todd-AO 70mm festival, first screening was "Cleopatra", is these times listed as a third rate film, today a masterpiece. "Cleopatra", "West side Story", "Can Can", "My Fair Lady" and "Lawrence of Arabia" were screened during the opening month.

Re-releases of course, but in an unusual format for us. In these times most of people was smoking: the managers had built a location where audience could see the films trough a window, seated in club seats. Unfortunately, just before the closing, they built a pizzeria, wieving on the screen with a large window! It was unsuccessful.

I remember one of the owners, named André Pomares (pronounced ès - esse) and again, I have not be successful to find his trace; I think that he could have many documents, ads, stills...

"Dédé" - french nickname of André - was a true passionate person: during a festival he had cut across the surroundings on a horse ! with some riders friends, alls with typical cowboy dress. He was a real "crazy", a real innovator, with a latin lover physique, welcoming audience with a spotless haute couture dress.

During summer the Capri was successful with performances about 6.00 pm, last at midnight.

I remember very well the projectionists, Joachim and Christian : one of the best days in my life was when I have had permission to enter in the "Holy of Holies", the large projection room with 2 Cinemecannica Victoria 8. During the screening of "Doctor Dolittle", I was authorized to do a changeover myself! imagine emotion for a 12 old kid !
 
 

The End

 
Unfortunately the Capri was only oprational for 5 years!

The reasons, according my personal opinion: 70mm films more and more rare and no new films. No selected engagements, Cannes and Antibes cinemas were chosen for first releases, and Capri owners were literally stifled, condemned to play "old " films in 1.33 ratio. Even roadshows promised to be screened on this panoramic curved screen were showed in theatres where projection quality did not stand up to comparison.

"Invaded" by bailiffs, the theatre closed in 1971. For some time, still managed by "Dédé", it was a discotheque with a scaffolding design named "Le West side" with an ultimate allusion. Dédé gave up the idea in 1972 (or some months later) and the Capri became a RIO outboards point of sale, still today.

On the French Riviera, boats are more lucky than cinema.

Despite my search, it was impossible to find again André Pomares trace. This account is to maintain memory. Without that, the Capri would be a ghost location.
 
 

Annex

 
These films, played at Le Capri, have marked my memory. I beg your pardon for Anglo Saxon friends, about french titles:

* films in 70mm if my remains is correct.

CLEOPATRE *
MY FAIR LADY *
WEST SIDE STORY *
CES MERVEILLEUX FOUS = THOSE MAGNIFICENT MEN... *
LE ROI DES ROIS = KING OF KINGS *
L'EXTASE ET L'AGONIE = THE AGONY AND THE ECSTASY *
LAWRENCE D’ARABIE *
KHARTOUM
CAN CAN *
LA CASE DE L’ONCLE TOM *
LA NUIT DES GENERAUX = NIGHT OF THE GENERALS
LA GRANDE COURSE AUTOUR DU MONDE = THE GREAT RACE
UN MONDE FOU FOU FOU *
DARLING LILY
LA MELODIE DU BONHEUR (The sound of music !) *
HELLO DOLLY
EXODUS *
LA GRANDE COURSE AUTOUR DU MONDE
LES TURBANS ROUGES(The Red Turbans) = Ken Annakin's THE LONG DUEL
BEN HUR *
LE MONDE MERVEILLEUX DES FRERES GRIMM *
L’EXTRAVAGANT DOCTEUR DOOLITLE *
PLAYTIME * ( seul film réellement projeté en exclusivité !)
ET POUR QUELQUE DOLLARS DE PLUS = FOR SOME MORE DOLLARS(A Sergio Leone western film)
LE CERVEAU = THE BRAIN
 
 
   
Go: back - top - back issues - news index
Updated 28-07-24