In harmony with the new City
The Drake, Plymouth, England. Kinematograph Weekly, 12. June 1958 | Read more at in70mm.com The 70mm Newsletter
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Written by:
Architect: LEONARD ALLEN, FIAA | Date:
01.03.2011 |
Exterior of the Drake at
night, showing the very attractive lighting of the Golden Hind sign
PLYMOUTH'S new cinema, the Drake, erected for
Twentieth Century-Fox, occupies a prominent position in the rebuilt City
centre at the corner of Union Street and Derry's Cross.
Chosen to harmonise with the
surrounding buildings, Portland Stone has been employed for facing the
facades to the two street frontages.
The entrance is placed at the
intersection of the two frontages, and has been splayed off to form a
bold corner entrance surmounted by a deep canopy with a total length of
100 feet and a fascia depth of five feet arranged as an interchangeable
letter sign for publicity display.
Above the canopy this elevation
is faced in Mineralite in a pleasing blue shade divided into a bold
squared design with white bands of the same material. This is surrounded
by a Portland Stone frame, the vertical members of which carry the
theatre name signs.
In the centre a deep recess contains a realistic
half-scale model of Drake's Golden Hind conforming in all details with
authentic information available of this famous ship.
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The screen at the Drake is one of the largest ever
installed in this country. It is unusual in that the curvature can be
varied to a wide degree
Enamelled plaques and brightly
coloured balustrades give further colour relief to the stone-faced
elevations.
The remaining elevations are faced in two shades of local facing bricks relieved at intervals
with a small pattern design of projecting bricks.
A spacious open vestibule is
floored in random marble paving and decorated with lilac-coloured glass
mosaic to the walls. It contains the box-office, and a small
confectionery kiosk leads to a double-screen of armour-plate glass
entrance doors leading to the main foyer.
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The auditorium, showing the adequate space
between rows
This is panelled with Sapele
mahogany and decorated with a dark blue ceiling divided into panels with
white bands with a frieze in yellow and lilac. The floor is finished in
linoleum tiles in shades of yellow and grey.
This main foyer accommodates on
the left the wide staircase leading to the circle. The stalls foyer and
entrances are placed on the right.
The centre of the space is
devoted to an attractive and spacious sales counter canopied with a
brightly illuminated decorative grille. The four columns standing at the
corner of this counter are painted in brilliant red.
The carpeted staircase is
provided with a balustrade composed of vitreous enamelled panels in
alternating shades of grey and yellow and capped with a black, plastic
handrail. | |
The spacious circle foyer.
This staircase divides to left and right and leads
to the circle foyer, which is decorated in a similar manner to the main
foyer with mahogany panelled walls, painted ceilings and frieze, and is
carpeted with a specially designed carpet embodying the 20th Century-Fox
motif.
The entrance doors to the circle are flanked with floral display
fittings. A public telephone kiosk is provided in a secluded recess.
The auditorium is decorated in
tones of red, pink and pale blue.
The main ceiling surface is
painted ocean blue and is brilliantly illuminated by large, suspended,
plaster lighting troughs, the undersides of which are painted in deep
regal red.
The upper walls are lined with acoustic tiles fixed
between vertical fibrous plaster ribs and arranged at an angle to the
main wall in a saw-tooth formation.
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Close-up of the
specially designed panelling on the side-walls
A pile carpet wall lining to
match the seat coverings has been employed in place of the more usual
wood panelling to form a dado to the side gangways at stalls level. The
gangways and seatways are covered in a similar carpet to the circle
foyer.
The ante-proscenium walls are decorated in Siamese pink and the
remainder in tones of blue rose and briar pink.
Special attention has been given
in designing the theatre to arrange the inclination of the stalls floors
and the steppings in the circle to provide perfect sight lines to the
screen from the patrons' seats and secure a minimum angle of projection
to avoid distortion.
The conventional proscenium has been eliminated and
the side walls of the auditorium sweep in a bold curve to merge into the
screen upon which a picture 60 feet in width can be shown.
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The covered queueing area
The plenum ventilating equipment
is of a high standard and is able to deliver filtered conditioned air in
ample quantities to all parts of the theatre.
The projection room is of
generous proportions and contains the most up-to-date form of projection
and sound equipment.
A special amenity feature is the commodious waiting
hall provided for patrons awaiting admission. This is comfortably
furnished and decorated, well-lighted, heated and ventilated.
It contains a separate sales
kiosk for the use of waiting patrons and has direct access from the
street to the auditorium. A number of attractive showcases have been
introduced as a decorative feature and for the display of interesting
items. It is expected that these will be used by local trades people.
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The circle, showing the shallow rake.
Attractively designed cloakrooms
and powder rooms and adequate toilet accommodation are provided to both
the stalls and circle levels.
A large public car park is
available for those arriving by car and a special entrance has been
provided therefrom to avoid patrons having to walk more than a few
yards from the park.
External illumination is provided by means of white
fluorescent tubing to the name signs and the outline of the splayed
corner.
Floodlights provide brilliant illumination to the
Golden Hind motif. The canopy is internally illuminated in yellow cold
cathode tubes and the underside extending as far as the armour-plate
glass doors is furnished with 150 watt mirrored back lamps at three feet
centres.
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