“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

THAT’S CINEMA!
The Hateful Eight in 70MM at ARCADIA, Milan Italy

Read more at
in70mm.com
The 70mm Newsletter
Written by: Francesco Gualeni. Pictures by: Daniele Buttafava and Laura Fumagalli Date: 01.02.2016
When I first saw the film Ben-Hur in BluRay with its original aspect ratio of 2.76 I’ve thought: “Wow, will I ever be able to see such a big movie with this wonderful aspect ratio in a big cinema?”. Thanks to Mr. Tarantino, ARCADIA Cinema Milan and 01 Distribution (Italian Distributor with Leone Film Group) this dream has come true. ARCADIA was the first cinema in Italy to book the 70MM print (see ARCADIA’s 70MM background experiences), followed by other two Italian locations, one in Bologna (Cineteca, Film Archive) and one in Rome (non a conventional operating cinema theatre, it’s the Stage 5 within Cinecittà Studios). Thanks to Mr. Tarantino, as everywhere else in the world, the 70MM release in Italy is exclusively one week prior the Digital distribution (due on thursday Feb 4th).

I’ve enjoyed the film in ARCADIA, on huge ENERGY screen on Friday the 29th of January at 5.30pm screening. From the very beginning you could feel this was not a regular experience. The Programme has been handed out by ushers at ENERGY’S entrance with the genesis of the film and some technical information about the Ultra Panavision 70MM format. ARCADIA’s ENERGY screen was full open in all its glory, 30 x 16 meters….a slide of the film’s title was projected on screen while the audience is entering. After 3 trailers, Laura Fumagalli, daughter of Mr. Piero Fumagalli, ARCADIA’s passionate owner, made a quick introduction, explaining how they are proud to present the film in the special Ultra Panavision 70MM format as Mr. Tarantino meant it to be. She also gave some news about ARCADIA’s recent major technical upgrade.
 
More in 70mm reading:

70MM is back to ARCADIA CINEMA - FIRST LOVE NEVER DIES

Quentin Tarantino's "The Hateful Eight" in Ultra Panavision 70

Internet link:

 
They have just installed a brand new Perlux Screen by Harkness 30 metres wide and they are about to complete what will be the biggest Meyer Sound System – Dolby Atmos configuration in the world. She has advised that The Hateful Eight is in 5.1 audio format but they wanted to give us a taste of the new sound system, not fully finished. So before the beginning of the movie, we have enjoyed a Dolby Atmos demo with the brand new stunning Meyer Sound System. After that, the Musical Overture by our own Italian Maestro Ennio Morricone started and, guys, it was a INDEED A JOY for the eyes and ears! That’s Cinema!
 
 
The film was wonderful, the projection was perfect, the print was stunning and all the flickering linked with celluloid projection brought the film ALIVE. The wide aspect ratio made the film BIG and UNIQUE, the composition inside the frame kept the claustrophobic sets even more intimate, the definition of the 70MM print had its best in the clothes, you could see every single hair in the fur of the actors and the contrast black and white of the picture were miles away from what we are used to see in digital.
 
 
During the Intermission, Laura and Mr Piero Fumagalli (he’s projecting the film himself, I’ve seen him physically very tired but he says he enjoys doing it himself) have welcomed some of us interested patrons in the booth to admire the 70MM print…as you can imagine, there was a line/queue to the booth…

I’ve never seen so many people enthusiast in front of a 70MM film print! When Interstellar was released in 70MM everybody thought about a miracle that an analog print was back again into theater, but now with The Hateful Eight and next year with Christopher Nolan’s Dunkirk the idea of “cinema experience” is back again.
 
 
Thank you again Mr. Tarantino, thank you ARCADIA.

YOU REALLY SCREEN FOR PEOPLE WHO CARE AND LOVE THE UNIQUE CINEMA EXPERIENCE.
 
 
Go: back - top - back issues - news index
Updated 28-07-24