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70MM "Hamlet" in Ireland |
Read more at in70mm.com The 70mm Newsletter
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Written by: Brian
Mac Eochaidhin / Brian Guckian, Ireland |
Date:
12.07.2014 |
35mm
image by Brian MacEochaidhin / Brian Guckian.
Kenneth Branagh’s stunning, word-for-word adaptation of Shakespeare’s
great work debuted for the first time in 70mm at the Irish Film Institute on
June 30th [2014].
The showing attracted a large audience, most of who, going by a straw poll,
had come because of the faithfulness of the adaptation and quality of the
acting (performed by its grand ensemble cast that read like a “who’s who” of
the profession). There was significant awareness of the 65mm format, with
several people also referencing Paul Thomas Anderson’s recent
“The Master“
(yet to be shown in 70mm here).
This is only the second time that
“Hamlet" has been shown in 70mm on the island of
Ireland, outside of its UK
premiere at the Waterfront Hall in Belfast, Northern Ireland on 21st January
1997, for which Kinoton projection equipment, a screen and sound system were
specially installed.
The print was in very good shape, and in addition to the film’s fine score
and painstaking cinematography, art direction and costume design, what was
noticeable again on this viewing was the superb editing, which maintained
pacing and engagement in a way that remains surprisingly fresh even by
today’s accelerated standards. Branagh’s masterful direction showed that it
was possible to use the wide aspect ratio and high resolution of 65mm film
to advantage for contemporary audiences, helped in no small part by the
timeless subject matter, with its intense and wide-ranging themes. It is
fair to say that it set a benchmark for artistic achievement that has seldom
been equalled.
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More in 70mm reading:
Odyssé til Aalborg
Todd-AO & Cinerama in Ireland
David Lean’s Film of “Ryan’s
Daughter” Photographed in Super Panavision 70 by Freddie Young, BSC
Internet link:
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One
of a pair of Cinemeccanica Victoria 8 dual 35mm / 70mm projectors installed
at the IFI in 2012, replacing a single DP70 which is now in storage.
Illumination is via Strong Super 80 lamphouses running 4000W lamps. "You can
never have too much light!" was the dictum of late, much-missed, IFI Cinemas
Programmer Pete Walsh. The projectors came all the way from Canberra,
Australia.
35mm image by Brian MacEochaidhin / Brian Guckian.
The film also stands as a testament to the enduring quality of film
production arts and crafts expertise in Britain, which continues to draw
major productions to its shores. The third Star Wars trilogy is of
course currently shooting (partly in 65mm) at Pinewood Studios, which is
also preparing for significant expansion of its facilities.
It was uplifting and enriching to experience real Cinema of this kind, in
the way that it can and should be (although perhaps nothing can surpass the
“ultimate” presentation of this film “on site” in
Helsingør in 2013!) Praise is
due to the Irish Film Institute, supported by their shipping sponsor Expert
Air, for scheduling regular 70mm presentations (which recently included a
crowd-pleasing showing of Star Trek II: The Wrath of Khan, complete
with a well-received “retro” pre-show 1980s trailers and advert reel). It
also helps that the local audience is well-educated and cosmopolitan.
Does Branagh’s “Hamlet” remain a precursor for what Cinema could yet
be, even now? From the play:
“Sure he that made us with such large discourse,
Looking before and after, gave us not
That capability and god-like reason
To fust in us unused” (4.4.33)
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