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"Inception" in 65mm
Christopher Nolan Interview |
Read more at in70mm.com The 70mm Newsletter
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Written by: Steve
'Frosty' Weintraub, collider.com. Reprinted with permission |
Date: 28.03.2010 |
I
was curious if you could talk about IMAX and 3D? These are both things that
are…you really pioneered what IMAX could do with “Dark Knight” and 3D
seems to be a revolution and it’s changing everything. Could you talk about
your feelings about 3D and also with IMAX, did you shoot any of
“Inception” in IMAX or was it all done in post?
Nolan: We shot the film with a mixture of mostly the predominant bulk of the
film is anamorphic 35mm, which is the best quality sort of practical format
to shoot on by far. We shot key sequences on 65mm, 5 perf not 15 perf, and
we shot VistaVision on certain other sequences. So we’ve got a negative - a
set of negative - that’s of the highest possible quality except IMAX. We
didn’t feel that we were going to be able to shoot in IMAX because of the
size of the cameras because this film given that it deals with a potentially
surreal area, the nature of dreams and so forth, I wanted it to be as
realistic as possible. Not be bound by the scale of those IMAX cameras, even
though I love the format dearly. So we went to the next best thing which was
65mm. So we have the highest quality image of any film that’s being made and
that allows us to reformat the film for any distribution form that we’d like
to put it in. We’re definitely going to do an IMAX release. We’re excited
about doing that and using our original negative 65mm photography to
maximize the effect of that release. 3D I think is an interesting
development in movies or the resurgence of 3D. It’s something we’re looking
at and watching. There are certain limitations of shooting in 3D. You have
to shoot on video, which I’m not a fan of. I like shooting on film. And so
then you’re looking at post-conversion processes which are moving forward in
very exciting ways. So really, for me, production of a large scale film is
all about recording the best, highest quality image possible so that you can
then put it in any theatre in the best way possible. And 65mm film, IMAX
film, VistaVision, 35mm, that’s the way you do that.
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More in 70mm reading:
65/70mm Workshop
Internet link:
Kodak
"Inception" website
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28-07-24 |
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