“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Interstellaring in London
The art of film projection is not dead yet

Read more at
in70mm.com
The 70mm Newsletter
Written by: Mark Lyndon, with images by Thomas Hauerslev Date: 27.11.2014
The huge front of the Odeon Leicester Square cinema in London. Opened in 1938 and home to many premieres ever since.

Click the image to see an enlagement.

Oscar Deutsch, who founded the ODEON cinema empire back in 1928, has long gone. His legacy lives on, however in the Odeon UCI Cinema Group.

Some find Odeon cinemas a little too corporate, if not downright clinical. In one important respect, however, they reign supreme - image projection quality. To this day, they remain committed to 70mm projection, which is enjoying a renaissance thanks to Christopher Nolan's controversial masterpiece "Interstellar".
 
More in 70mm reading:

Go to the gallery The art of film projection is not dead yet

"Interstellar" Now Playing in 70MM

"Interstellar" Goes IMAX 70MM and 5/70 MM

70mm Film Presentations in London, England 1958 - 2014

70mm at the Odeon Leicester Sq, London

 
Michael at the Odeon

And yet, 70mm projection cannot be taken for granted. Even as "Interstellar" is smashing a box office records and Hollywood film directors are committing to 70mm principal photography and prints; there are cinema chains that are removing, yes removing 70mm projection from their houses. Who advises them, the captain of the Titanic?

Luckily, the Odeon Leicester Square, flagship theatre of the British film exhibition industry is fully equipped for 70mm and is likely to remain so. As every well informed student of this, the greatest of the arts, knows, a cinema performance is only as good as the mysterious person operating at the back of the auditorium; known universally as the Projectionist.
 
 
Cesar at the BFI IMAX with a used 15.000 watts IMAX Xenon lamb - same size a pineapple or a coconut with handles.

Odeon are very fortunate in their projection team at the Odeon Leicester Square. Watching Michael at work in the projection suite high up in the gods, was watching a master at work. The sheer skill and meticulousness with which he handled the precious 70mm print of Interstellar was a joy to behold.

As the old saying goes, I love work, I could watch it for hours. The same is true of his colleague Caesar in the BFI IMAX. Both projectionists go to enormous pains and trouble to ensure a flawless image emerges from what Orson Welles called the "Ribbon of dreams". They were also wonderful hosts, who welcomed us warmly into their domain. A world of wizardry, par excellence.
 
 
Mark Lyndon and Michela at the BFI IMAX.

The BFI London IMAX is in very good hands. Michaela, the manager, proved exceptionally capable in the face of a real crisis. The very powerful lamp at the heart of the 15/70mm IMAX projector had exploded. She dealt with skill and aplomb with some very awkward customers indeed, the kind who always expect perfection. Needless to say, the lamp crisis was resolved and the show went on.

Memo to Odeon, remember who was in charge when all box office records were smashed at the big London IMAX.

Go to the gallery The art of film projection is not dead yet
 
 
   
Go: back - top - back issues - news index
Updated 28-07-24