“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Directors don’t have final cut, projectionists do
A note about the presentation of
"Phantom Thread" in 70mm

Read more at
in70mm.com
The 70mm Newsletter
Written by: Paul Thomas Anderson, December 15, 2017 Date: 08.09.2018
Mr. Anderson definitely cares about presentation. Picture by Herbert Born

Dear Projectionists & Theater Managers,

Thank you very much for running the new film,
"Phantom Thread". We are very proud of it; excited and anxious to see its release into the world. As the saying goes, “Directors don’t have final cut, projectionists do.” So we hand it off to you……

We are releasing this film in three formats, 70mm*, 35mm, and DCP. If there is a problem with any of these presentations at any time, please contact Lisa Bunnell, President of Distribution at Focus Features, and she will help to repair whatever issues may arise.

Our most important request is about the Sound. We have mixed this film to industry standards and hope you will play it at the level we intended of 7.0. I realize that this is very hard to do because quite often Trailers and Pre-Show Commercials are mixed too loud. If it’s necessary for you to turn the volume down because of this, can you please remember to turn the volume back up to 7.0 for the Feature Presentation?

Our film is dialogue and music driven; there are no loud explosions or gunshots that may give an audience hearing damage so there should be no risk of alienating an audience if the film is set to 7.0. We have included a thumb drive for Pre-Show music if you wish to play it between shows. We realize that this isn’t always possible, but if it is, we appreciate you playing it and think it will add to the overall experience of the film.

Thank you for reading. Please contact us any time, day or night and we will come running.

Best,
Paul Thomas Anderson
Focus Features
Ghoulardi Film Company

* PLEASE NOTE: If you are playing the film in 70mm, don’t forget that the aspect ratio is 1.85.
 
More in 70mm reading:

14. Todd-AO 70mm-Festival. 28 - 30. September, 2018

PDF: "Phantom Thread" Projectionist Letter 121517

Film review: "Phantom Thread" in 70mm

"Phantom Thread" full Production Notes

"Phantom Thread" is released in 70mm

P T Anderson's "The Master" in System 65

70mm Blow Up List 2017 - by in70mm.com

Internet link:

 
   
Go: back - top - back issues - news index
Updated 28-07-24