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70mm Presentations in Greenville
A Chronology of 70mm Large Format Exhibition, 1967-Present |
Read more at
in70mm.com The 70mm Newsletter
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Compiled by:
Michael Coate |
Date:
20.08.2023 |
What follows is a chronology of 70mm six-track
stereophonic sound feature-film presentations in Greenville, South Carolina,
USA.
The focus of this work is 5-perf 70mm feature films and the cinemas in which
they were exhibited. Short subjects, IMAX, special venue presentations,
etc., have not been included.
Part 1: The 70mm-Equipped Cinemas
Astro / Astro Twin
Bijou 8
Camelot
Wade Hampton Mall / Mall Cinema / Mall Twin
An overview of each cinema will be provided in a forthcoming revision.
Part 2: The 70mm Presentations
Opening date YYYY-MM-DD
TITLE
cinema (duration in weeks) [notes]
* Reserved-seat engagement (i.e. roadshow)
1967-04-20
THE SOUND OF MUSIC
Wade Hampton Mall (6)
1967-08-10
THE BIBLE*
Wade Hampton Mall (7)
1967-09-28
THE SAND PEBBLES
Wade Hampton Mall (4)
1967-12-22
GONE WITH THE WIND*
Astro (20)
1968-06-11
CAMELOT*
Astro (8)
1968-10-02
OKLAHOMA!
Astro (1)
1969-09-18
2001: A SPACE ODYSSEY
Astro I (1)
1969-11-20
KRAKATOA EAST OF JAVA
Astro I (2)
1970-02-12
PAINT YOUR WAGON
Astro II (6)
1970-03-26
BEN-HUR
Astro II (2)
1970-05-14
GONE WITH THE WIND
Astro II (2)
1970-06-04
2001: A SPACE ODYSSEY
Wade Hampton Mall (1)
1970-06-18
HELLO, DOLLY!
Astro II (5) [70mm from Week 3]
1970-11-11
PATTON
Astro II (1)
1970-12-25
TORA! TORA! TORA!
Astro I (7)
1971-04-30
MY FAIR LADY
Astro I (3)
1972-05-19
PATTON
Camelot (1)
1982-03-26
QUEST FOR FIRE
Bijou (4)
1984-05-23
INDIANA JONES AND THE TEMPLE OF DOOM
Astro I (12)
1984-09-07
STAR TREK III: THE SEARCH FOR SPOCK
Bijou (1)
1984-12-07
2010
Astro I (7)
1985-03-15
DUNE
Bijou [canceled]
1985-07-10
SILVERADO
Bijou (5)
Note that some of the titles included in this chronology may have been
presented in 35mm during the latter week(s) of their engagement due to
contractual terms or print damage (and the distributors unwillingness to
supply a 70mm replacement print) or because the booking was moved to a
non-70mm-equipped auditorium within a multiplex. As well, the reverse may
have been true in some cases whereas a booking began with a 35mm print
because the lab was unable to complete the 70mm print order in time for an
opening-day delivery or the exhibitor negotiated a mid-run switch to 70mm.
In these cases, any 35mm portion of the engagement has been included in the
duration figure.
References: Various issues of The Greenville News, plus projection and sound
system trade advertisements and installation records.
Special thanks: Allen Swords.
If you believe this article contains any errors or omissions, please
consider emailing the
author or editor.
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More in 70mm reading:
70mm Cinemas in
North America
in70mm.com's page about films blown up to 70mm
35mm to 70mm Engagements by Year
35mm to 70mm Engagements by Title
Presented on the big screen in 7OMM
The Alleged 70mm
Releases
70mm Blow Ups
Which Never Were
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