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The Wonderful World of the Brothers Grimm in
Bradford
Widescreen Weekend 2017
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The 70mm Newsletter
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Written
by: By Johan C.M. Wolthuis
with assistance from Ulrich Rostek |
Date:
05.11.2017 |
Corrie
Boonstra, Johan Wolthuis (co-author of this text), Randy Gitsch and Dave
Strohmaier. Picture by Ulrich Rostek
On the early Saturday morning of 14 October 2017 we were invited
visiting an exciting screening of the only existing 3-strip Cinerama
print of "The Wonderful World of the Brothers Grimm". Preceding
the screening Tony Sloman spoke an interesting introduction about this
first (non documentary) feature Cinerama movie ever produced. Beautiful
images projected from the unique three projection booths onto the large
curved Cinerama screen of the Pictureville Cinema, the only existing
Cinerama installation in Europe. Despite the print had some minor
damage, it ran very well on the original Cinerama screen. Only suddenly
there was a break down, but the projection team was alert and started
the special 35mm black and white short with the famous words from
producer Lowell Thomas: “Sorry, it seems that we have a break down,
but we hope to start again within a few minutes”. Sadly, film
breakdowns like this are an indicator for the disintegrating base
material, which causes shrinkage, film tears, and in the end the
complete destruction of this only surviving print. How great would it be
if this Wonderful World movie could also be restored, but there
seems to be no interest at Warner's to invest any money in the
restoration! A great loss when this unique movie will not be saved for
future generations!
However the Widescreen Weekend in Bradford started already on Thursday
12 October with a demonstration of Barco Escape, the new digital
3-screen concept of the Barco Company. It looked nice but it needs a lot
of improvements to come at least a little near the idea of 3-strip
Cinerama from the fifties!.
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More
in 70mm reading:
Widescreen Weekend 2017
•
Gallery:
2017
•
Film Introductions
• WSW Home
• Through the Years
• The Best of WSW
•
Academy of the WSW
•
Creating the WSW
•
Planning the WSW
• Projecting
the WSW •
Home of
CINERAMA
•
Projecting CINERAMA
Internet link:
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"Mr.
Widescreen Weekend" himself Bill Lawrence, Dave Strohmaier and Randy Gitsch.
Picture by Ulrich Rostek
The Thursday afternoon was dedicated to the Student Widescreen Film of the
Year Competition, in an effort to involve students in Widescreen
presentations. And seeing the increased sale of Student Passes this year
with a 100% uplift on 2016 (50 passes in 2016, 103 in 2017) according to
Kathryn Penny, Festival Director, this Competition was a great success!
After the, as always entertaining, Opening Night Reception, the evening was
concluded with the brand new 70mm movie
Dunkirk on the flat
screen, introduced by Sir Christopher Frayling.
The next day Friday started with
Windjammer: The Voyage of
the Christian Radich. Despite it was not the original 3-strip
Cinemiracle from 1958 this digitally restored movie looked great on the
large curved screen. Now digitally restored from the original 3-panel
elements it was the only possibility to save this great movie for future
generations and again producers David Strohmaier and Randy Gitsch did a
great job! Beautiful images from Madeira, Puerto Rico, Curacao and Trinidad.
And great music from Pablo Casals, Arthur Fiedler and the Boston “Pops”
Orchestra and the New Orleans Jazz Band were a feast for the eyes and ears.
As usual this screening was introduced by David Strohmaier and Randy Gitsch,
the Restoration Producers.
In the afternoon famous British film historian, film maker and author
Kevin Brownlow took us on a voyage along Abel Gance's five-and-a-half hour
masterpiece Napoléon. Mr Brownlow worked nearly his whole live to
restore this monumental silent famous French movie from 1927. His speech was
finished with a screening of the famous triptych sequence from the film, one
the first time of projection 3 images on the large screen.
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The
incredible Tony Sloman.
Picture by Ulrich Rostek
In the evening on the large curved screen Audrey Hepburn was the star of
My Fair Lady, the famous musical with songs like The Rain in Spain, I
Could Have Danced All Night, Get Me to the Church on Time. Beautifully
restored frame-by-frame by Robert A. Harris, this Super Panavision 70 movie
from 1964 has won eight Oscars, including one for Best Cinematography (Harry
Stradling Sr.) and has now been restored on 4K DCP. Jack Warner’s grandson
Gregory Orr introduced this great movie which was his grandfather’s
favourite project.
Celluloid Saturday’s program was entirely dedicated to film based movie
presentations, including historical black and white CinemaScope prints of
Jailhouse Rock and The Fortune Cookie, a well conditioned 70mm
print of The Untouchables, and a rare screening of Dario Argento’s
horror trip Suspiria in IB-Technicolor – the only mean to reproduce
the movie’s psychedelic colours.
Next day, Sunday morning started with Cineramacana, a program with a lot of
shorts which was opened with a CinemasScope excerpt from Silk Stockings,
presenting a dance number starring Fred Astaire and Janis Paige, shouting
out the widescreeners’ mantra: “You got to have glourious Technicolor,
breathtaking CinemaScope and Stereophonic sound!”. It was followed by a
3-strip promotion for the French automobile Renault [Dauphine, ed]t,
an “In Memoriam” clip remembering all our stars on the screen and behind the
scenes who passed away within the last year, and many other interesting bits
and pieces.
In the afternoon the 2K digital restoration of Walt Disney's timeless
classic Sleeping Beauty from 1959, filmed in Super Technirama 70
screened in the original aspect ratio 2.55:1. And last but- not- least on
the closing night the famous David Lean film Lawrence of Arabia with
a brand new 70mm print. The film won 7 Oscars in 1963, including for Freddie
Young's stunning cinematography in Super Panavision 70, with the famous
scenes in the Wadi Rum desert in Jordan.
Also an Oscar for Maurice Jarre's unique musical score. Sir Christopher
Frayling introduced this movie. General admissions for this Widescreen
Weekend had a 15% uplift (3419 in 2016, 3936 in 2017). Next year we hope to
see How The West Was Won in original 3-strip Cinerama!
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28-07-24 |
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