“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Advantages and disadvantages of 70mm

This article first appeared in
..in 70mm
The 70mm Newsletter

Written by: Freddie A. Young Issue 37 - June 1995
Thank you for your letter dated 8th December, 1994. Thank you for the copy of The 70mm Newsletter. You asked me if I could write a short article for this. I am happy to do so, but I must state that since I am now 92 years of age and haven't worked for about 5 years - and then only on commercials - I am not up to date with all the developments in the Film Industry, However, I will now write a few words about my thoughts on using 70mm film.

70mm film like anything has i
ts advantages and disadvantages. It is particularly appropriate for those films that are set in locations of outstanding natural beauty. For example, it was certainly the right film for shooting "Lawrence of Arabia", where capturing the magnificence of the desert was so important - but had we been shooting interiors in a back street in Clapham, then I'm not so sure that it would have been worth it! Its main drawbacks are the added expense that it puts onto a film's budget, and also the time and additional work that it adds through its need for specialized equipment such as stronger dollies, cranes, tripods and so on. Another problem is that not many cinemas have the necessary facilities for showing 70mm. I do think that 35mm film has proved itself to be an excellent alternative to 70mm, since although it obviously can't match the latter's superior quality, it has none of its disadvantages, and in my opinion, there are only a limited number of films that would justify the extra cost and trouble of being shot in 70mm. After all, 35mm has stood the test of time. Mind you, I still think that there's room for 70mm for those special feature films that really do benefit from being shown on 60 foot screens in a limited number of cinemas in big cities all over the world.

Sincerely, Freddie A. Young

Further in 70mm reading:

There Were Giants in the Land

Restoration of "Lawrence of Arabia"

Some Notes on Shooting "Lawrence of Arabia"

Internet link:

 

 
Go: back - top - back issues
Updated 28-07-24