“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

First Report from the World 3-D Festival in Hollywood

Read more at
in70mm.com
The 70mm Newsletter
Written by: Richard Greenhalgh Date: September 17, 2003
Further in 70mm reading:

Remembering Richard Greenhalgh May 29, 1948 – September 5, 2011

Internet link:

www.3dfilmfest.com










We are already a zombies and we've only finished the first 7 shows! We arrived at the historic Egyptian Theater before noon yesterday and got home just before 2:00 AM this morning. I only have a few minutes until we have to leave for day three. In addition to the usual local suspects, we have met people from New York (a Bradford alumni), Atlanta, Virginia and Connecticut. They are all here to see this amazing week of 3-D, "HTWWW" at the Cinerama Dome and the important showing of David Strohmaier's "Cinerama Adventure" on Monday.

I am about 5 years too young to have seen any of these films first run and I never really wanted to see them projected anaglyphically in most recent retrospective showings. This festival has given us a real appreciation for these films and the 3-D process of the day. While some are better than others, this process enhances every film we have seen. The process is not just something to use for a few comin'-at-ya effects, it adds depth and interest to every scene.

Jeff Joseph and Sabucat Productions have simply produced the most complete and amazing once-in-a-lifetime 3-D festival on the planet. Paul Rayton and his crew at the Egyptian Theater are projecting every film and short in the Polaroid 3-D process on a newly installed silver screen in perfect registration. Some of the films we have seen are beautiful, newly-struck, prints. Others are last remaining prints. Some where thought no longer to exist. All of the films are shown, as they originally were, with an intermission to allow for one reel change.

"House of Wax" was well deservedly sold out. Though the stereo sound track no longer exists, the new print is excellent. A fascinating short, Motor Rhythm and a Q&A session with special guest Paul Picerni, rounded out the auspicious start of the festival. Mrs. Andre DeToth, the director's widow, was in the audience.

Jeff Joseph shared that "Stranger Wore a Gun" was the only film shot on Eastman "Stripper Film" which Technicolor locked away thereafter. The new print looked good.

"Gorilla at Large" was a surprisingly good mystery with Raymond Burr. The color print looked good and the Q&A with Raymond Stevens was illuminating.

"Cat-Women of the Moon" was shown from an original print which was as sharp and grain free as it gets. This cult classic was great fun. The color short "Adventures of Sam Space" was very entertaining and the Q&A with the head Cat-Women was a hoot.

The left-eye print of "Gog" was thought to be lost forever and the negatives no longer exist. While a bit faded, this recently found left print is in good registration with the right print and the good color from the right print allowed us to enjoy some very well done 3-D effects. Joe Dante hosted director Herbert L. Strock and actor William Schallert in an interesting Q&A session following the feature.

The "Kiss Me Kate" sold-out audience was one of the most appreciative in my recent memory. This new print was just a delight to see, if a bit warm in color balance. It was shown in stereo for the first time in fifty years. Bugs Bunny delighted the audience in "Lumber Jack Rabbit" before the show and special guest Kathryn Grayson and Tommy Rall made the Q&A a most memorable event.

While we were watching "Kiss Me Kate", another sold-out audience waited to see "It Came from Outer Space" at 10:30 PM. The studio loaned the original 3-track mag soundtrack to Jeff Joseph who magically got Chace Productions to donate their services to transfer it to a hard dive which was synced with the two projectors to provide the appreciative audience with a rare opportunity to see this show in both 3-D and stereo. A surprise citation from the mayor of Los Angeles was presented to Ray Bradbury to commemorate this occasion during the Q&A which preceded the film. A Universal Nat King Cole short rounded out the evening.

Today we are going back to see such classics as "Robot Monster", a Stereo Techniques Seminar, "Flight to Tangier", "Charge at Feather River" and we are looking forward to the sold-out showing of "Creature from the Black Lagoon".

If you have not yet purchased your copy of the World 3-D Festival Poster, the fabulous all-color Festival Program AND the excellent DVD (with over 40 3-D trailers and some fabulous early 3-D footage which can effectively be seen anaglyphically with the included glasses, get to www.3dfilmfest.com and get yours on order before this rare stuff disappears.







Sunday we were back at it at the Egyptian for more 3-D films. Some of these films are really quite excellent. And then, well, there are others. First up on Sunday was a rare (perhaps not rare enough) showing of the 1953 classic, "Robot Monster" (which has obtained a richly deserved 2.1 rating from all of us who rate films for our friends at IMDb).

Before the film, we were treated to a screening of the short "Stardust in Your Eyes" which was made by the same people who produced "Robot Monster." It was designed to be run before it, but apparently never did. In it, actor Slick Slavin delivers a humorous monologue featuring a number of impersonations (including Humphrey Bogart, James Cagney, Jimmy Stewart and others) about their reactions to 3-D.

As with "Cat-Women of the Moon" the previous day, the audience showed remarkable respect and restraint for Jeff's new silver 3-D screen by not throwing things at it during this not-to-be-missed film. One can only wonder if Western Costumes was overstocked on gorilla costumes that year .  After the film, the director's son had a few words to say followed by a surprise special guest. Ro-Man came out of retirement to the great delight of an almost full house. He later terrorized those waiting for the next show in the theater forecourt.

I must add that Paul Rayton was kind enough to ask me if Jack Greenhalgh, the cinematographer, was a relative of mine. While I have heard of him, gratefully (in this case) he is not a relative. I did look him up and found that he was involved in 199 films from 1926 to 1953. I found it interesting to note that his work on "Robot Monster", appears to have been his last job .
 
 
 
Go: back - top - back issues - news index
Updated 28-07-24