“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Abel Gance’s "Napoleon" Presented in “Polyvision”
Oakland Paramount, San Francisco, US, March 24, 25, 31 & April 1, 2012

Read more at
in70mm.com
The 70mm Newsletter
Press release by: San Francisco Silent Film FestivalDate: 25.07.2011
Maybe a Dutch "Napoleon" poster, seen on the internet

San Francisco Silent Film Festival to present Abel Gance’s legendary masterpiece "Napoleon" at Oakland Paramount, March 24, 25, 31 & april 1, 2012

U.S. Premiere of complete restoration by Academy Award®-winner
Kevin Brownlow & BFI

U.S. Premiere of orchestral score by Carl Davis, who will conduct the Oakland East Bay Symphony

(July 14, 2011—Bastille Day) The San Francisco Silent Film Festival announces today that it will present the U.S. premiere of Abel Gance’s legendary "Napoleon" in its complete restoration by Academy Award®-winning historian, documentarian and archivist Kevin Brownlow, in four special screenings at Oakland’s Paramount Theatre on March 24, 25, 31 and April 1, 2012.

The Brownlow restoration, produced with his partner Patrick Stanbury at Photoplay Productions in association with the BFI, is the most complete version of Gance’s masterpiece since its 1927 premiere at the Paris Opéra.

The SFSFF screenings also mark the U.S. premiere of the renowned orchestral score, written over 30 years ago (and twice expanded since), by Carl Davis, who will conduct the Oakland East Bay Symphony.

The spectacular presentation at the 3,000-seat, Art Deco Oakland Paramount will be climaxed by its finale in “Polyvision”—an enormous triptych, employing three specially installed synchronized projectors, that will dramatically expand the screen to triple its width. The logistics and expense of screening "Napoleon" properly with full orchestra and special equipment have made it nearly impossible to mount. Gance’s "Napoleon" hasn’t been screened theatrically in the U.S. with live orchestra for nearly 30 years and there are no plans to repeat the SFSFF event in any other American city.
 
More in 70mm reading:

Kevin Brownlow Interview - Part 1

Kevin Brownlow Interview - Part 2

Projecting “Napoleon” – une pièce de resistance

Internet link:

Photoplay Productions

Silentfilm.org

Carl Davis Collection

Able Gance

Triptych



 
"Napoleon" in Polyvision / Triptych on screen. Image by Mark Trompeteler

Says Stacey Wisnia, Executive Director of the San Francisco Silent Film Festival, “This will be ‘the cinema event of a lifetime’ and for once that’s not just hype, considering that we may never have another chance to see "Napoleon" presented on this scale, and with Carl Davis’ magnificent score. But we’re also referring to the lifetime of passion that Kevin Brownlow has devoted to bringing Abel Gance’s original vision back to life.” Mr. Brownlow, who last year became the first film historian ever honored with a special Academy Award, became fascinated with Gance’s film when, as a schoolboy in the 1950s, he ran two 9.5mm reels he had stumbled upon at a street market.

“I was stunned by the cinematic flair,” says
Brownlow. “I was exhilarated by the rapid cutting and the swirling camera movement. What daring! I had never seen anything comparable—and I set out to find more of it.” That determination led to a lifelong quest. The first major Brownlow/BFI restoration culminated in a screening at the Telluride Film Festival in 1979, with 89-year-old Gance watching from a nearby hotel window. Under the auspices of Francis Ford Coppola and Robert A. Harris, a version of this restoration, accompanied by a score composed by Mr. Coppola’s father Carmine, was presented to great acclaim at Radio City Music Hall and other venues in the U.S. and around the world in the early 1980s. Mr. Brownlow and the BFI did additional restoration work in 1983.

The current restoration, completed in 2000 but not previously seen outside Europe, reclaims more than 30 minutes of additional footage discovered since the 1979 screening and visually upgrades much of the film. This unique 35mm print, made at the laboratory of the BFI’s National Archive, uses traditional dye-bath techniques to recreate the color tints and tones that enhanced the film on its original release, giving a vividness to the image as never before experienced in this country. Each screening of the 5 1/2-hour epic will begin in the afternoon and will be shown in four parts with three intermissions, including a dinner break. Tickets will be available online through the SFSFF website, www.silentfilm.org, beginning July 18.
 
 
Abel Gance’s "Napoleon" is being presented by the San Francisco Silent Film Festival, in association with American Zoetrope, The Film Preserve, Photoplay Productions, and the BFI. Technical services will be provided by Boston Light & Sound.

Founded in 1994, the San Francisco Silent Film Festival has showcased the finest films of the silent era as they were meant to be seen: on the big screen with live music composed and performed by accomplished artists. While its annual July festival remains its flagship event, the SFSFF now produces special events throughout the year.

Says Robert Byrne, SFSFF board president, “This extraordinary presentation of Gance’s masterpiece is a major cultural coup, not just for our festival, but for the whole Bay Area.”
 
 
  
Go: back - top - back issues - news index
Updated 28-07-24