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We saw NAPOLEON on Sunday in Amsterdam |
Read more at in70mm.com The 70mm Newsletter
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Written
& Photographed by: Udo Heimansberg,
Metropol Düsseldorfer Filmkunstkino GmbH, Düsseldorf, Germany |
Date:
19.06.2014 |
Johan
C.W. Wolthuis, Agnes Bal, Udo Heimansberg and Jan-Hein Bal
A
very special event took place on Sunday, 15th of June 2014:
A screening of the 5 ½ hour version of Abel Gance's masterpiece from 1927,
"NAPOLEON" at the Ziggo Dome in Amsterdam before an audience of about
4.000 people!
Carl Davis (*1936) conducted
Het
Gelders Orkest in a breathtaking tour de force. His score, with excerpts
from compositions by Ludwig van Beethoven, Wolfgang Amadeus Mozart and his
own, is, as
Kevin Brownlow,
surprise guest of the evening, stated “The best score written for this
epic”!
When, after 5 hours, the screen opened for the Polyvision scenes on a 40m
wide screen, audience applauded. It was a perfect screening (35mm),
wonderful and restless musicians, and a composer/conductor fit for this 5 ½
hour job at the age of 78! Magnificent and an experience of a lifetime!
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More in 70mm reading:
Kevin Brownlow
Carl Davis
Projecting “Napoleon” – une pièce de
resistance
“Napoleon" in San Francisco
Das Vergessene Tal In Innsbruck
Internet link:
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Travel to Amsterdam
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Polyvision
and the big orchestra
"Napoleon" started at 2.00 p.m. and
ended at 10.15 p.m. with standing ovations. Applause for the
composer / conductor Carl Davis, the Gelders Orkest and Abel Gance's epic
masterpiece, here presented with an integrale version of 5 ½ hours running
time + intermissions.
We sat in the middle of row three with the screen above us - and this really
was “above” and the pain in our necks started after a while. But there were
intermissions and we could recover- and when it came to 40 meter wide Polyvision pain was gone! Nearly 10.000 people applauded when three
projectors offered a Cinerama-like panoramic view in amazing perfection!
(Remember- it was made in 1927!) Also three different pictures gave a
split-screen impression and at the end were tinted red-white-blue so, with
the rousing music of Carl Davis, we all felt French! (The film itself was
mostly tinted as it was custom in 1927 except the snow-scenes in the
beginning!)
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Metropol Düsseldorfer Filmkunstkino GmbH
HRB 34556, Amtsgericht Düsseldorf
filmkunstkinos.de
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After
the show on the 40 meter screen
It was an exhausting job for both the orchestra and the conductor. But they
did extremely well, it was inspired, precise and nearly faultless. Chapeau!
Carl Davis, famous for his silent film scores including the brillant
"Ben-Hur", started to work on this project in the summer of 1980. At
that time the movie run for about 5 hours. His idea was to use music by
composers of that period, above all Ludwig van Beethoven. But there was a
problem in the relationship between the composer and Napoleon: Beethoven
admired him in the beginning and dedicated his 3rd symphony to him. But as
Napoleon became emperor, Beethoven changed his opinion and crossed out the
dedication. On the other hand the film ends before that in 1797, Abel Gance
himself later mentioned that he was inspired by Beethoven's music (although
the first score was composed by Arthur Honnegger). More inspired music came
from period music, songs of the revolution (La Marseillaise) and folk music
of Corsica. There are some portions of music by Mozart, Haydn and a piece of
music which was a favourite of Napoleon himself: an aria from the opera
“Nina” by Paisiello.
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Carl
Davis after the Show
There are themes composed by Davis himself like the
“Eagle-theme” and a theme for Napoleon's relationship to Josephine. There is
also a bow to Honegger including one of his arrangements for the first
performance in 1927. In fact this is the way the silent movie composers
compiled their scores in these days, but Davis´ approach is a very complex
matter and a bulk of notes for a 5 ½ hours live experience.
I came from Düsseldorf to Amsterdam, only about 3 hours to travel by car,
and met some friends there. Jan-Hein Bal from the Filmmuseum Amsterdam. his
wife Agnes and Johan C.W. Wolthuis, household names to in70mm.com readers.
We all enjoyed this day and it was our opinion that this was an experience
of a lifetime! Thanks to Carl Davis, Het Gelders Orkest, Abel Gance, the
unknown projectionists who did a perfect job (yes, it was 35mm!) and all the
people working for that event!
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Napoleon,
Abel Gance, Kevin Brownlow, Carl Davis & Orchester
During intermissions there was everything: food, snacks, drinks (for me
ice-cold Heineken, which was still cold after 45 minutes….) And all for
37,50 Euro (compare that to a Rolling Stones concert…), worth every single
cent!
A last surprise was the announcement by Carl Davis that Kevin Brownlow was
in the audience! He entered the stage and got some well deserved applause!
He also stated, that this score was the best ever written for "NAPOLEON". (He
did not mention the name of Carmine Coppola whose music was used during the
eighties in Germany and which I did not like that much!)
For your information:
PRICES
entree € 37,50
entree & diner buffet € 67,50
PROGRAMMA
14.00 - 15.50
15.50 - 16.15 pauze
16.15 - 17.20
17.20 - 18.50 dinerpauze
18.50 - 20.40
20.40 - 21.05 pauze
21.05 - 22.00
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28-07-24 |
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