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Relics, Ruins and the Romance of Escape
THAILAND’S MOVIE THEATRES |
Read more at in70mm.com The 70mm Newsletter
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Written by: Philip
Jablon |
Date:
12.05.2020 |
"70mm
is mentioned, if at all, only in passing. There are definitely a few vintage
photos that show the 70mm logo, as well as some posters that have the logo,
but I don't really explore it in the book. Cinerama has a few mentions too.
Relics,
Ruins and the Romance of Escape
THAILAND’S MOVIE THEATRES
By Philip Jablon
200 pages
185 photographs
ISBN 978 616 451 023 4
£22.50 / $30
order@riverbooksbk.com
www.riverbooksbk.com
FB: River Books
Thailand’s Movie Theatres chronicles the last years and final breaths of one
of the country’s most eye-catching architectural forms – the standalone
cinema. From the 1950s through the 1970s, movie theatres across Thailand
acted as local centres of social and cultural life. At a time when fewer
homes had electricity or TVs, the movie theatre was where people came
together, irrespective of class or occupation. In today’s era of shopping
mall multiplexes and entertainment streamed on personal devices, the
popularity of the standalone cinema has become a thing of legend.
In 2008, Philip Jablon began recording the demise of Thailand’s standalone
cinemas, travelling across the country to photograph over 200 theatres. This
book is the culmination of ten years of fieldwork and highlights more than
50 of the most compelling, significant and breathtaking examples.
With an introduction by Thai movie critic Kong Rithdee, the book also
features a chapter on theatres in neighbouring Laos and delves behind the
scenes to meet the people – ushers, projectionists, dubbers and
billboard
painters – who once brought these buildings to life. Illustrated with
original and vintage photographs, movie theatre paraphernalia and an
exceptional selection of hand-painted movie posters, Thailand’s Movie
Theatres records an irreplaceable slice of social, cultural and movie
history.
Philip Jablon has been documenting standalone and
vintage movie theatres in Southeast Asia since 2008. He has written
extensively about these buildings, their historical role in society and the
importance of preserving them. His articles and essays on the subject have
appeared in the Bangkok Post, the Nation (Thailand), GQ (Thailand), Asia
Sentinel, and Frontier Myanmar, among other publications. His research has
been supported by grants from the Jim Thompson Foundation and the Thai Film
Archive in Thailand as well as corporate sponsorship from Mingalar Cinemas
in Myanmar.
When not living and breathing standalone cinemas in Southeast Asia he spends
his time in his native Philadelphia, Pennsylvania, USA, trying to figure out
which old chain stores used to be movie theatres.
You can find him online at
“The Southeast Asia Movie Theater
Project”: http://seatheater.blogspot.com
Philip Jablon
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More in 70mm reading:
DP70s in Asia
Widescreen Worldwide
The Last Billboard Painter of
Karlsruhe |
The
very impressive "Cleopatra" (produced in Todd-AO, 1963) 6-story tall
bill-board was painted by Thailand's most famous poster painter, Tongdee
Panumas. It was based upon the original US poster art by Howard Terpning.
Early in his career, Tongdee emulated Terpning's painting style.
The Thai premiere of "Cleopatra" is not even listed on imdb.com!
"Relics, Ruins and the Romance of Escape"
was reviewed by Mathew Scott in The Hollywood Reporter,
22 August 2019, and expanded on the story about Philip's search for old Thai cinemas:
Philip Jablon’s life was altered forever when he stumbled upon a rundown movie
theater in the northern Thai city of Chiang Mai back in 2006. A few months
later, the building was gone.
“That what the watershed moment for me,”
says Jablon. “I decided I would go from
town to town. I would explore the corners of the old parts of town and look for
these old buildings and take photos. Sometimes I’d find them, sometimes I
wouldn’t. Sometimes I would find ones that were intact, and looked exactly like
they always had. The theatres have been forgotten. In rural places people tend
not to go near them as there’s a greater level of superstition with ghosts and
they tend to just deteriorate. But I find it exhilarating. Going there to take a
picture I know I am bringing a little known piece of Thailand to the rest of the
world. Some of them are pretty cool, too.”
Jablon first visited Thailand as an exchange student in 2001. He went on to take
a masters degree in sustainable development at Chiang Mai University and now
splits his time about evenly each year between the kingdom and family in
Philadelphia. Help with his quest came from the Thai Film Archive, enabling
Jablon to launch the Southeast Asia Movie Theater Project, which has seen the
photographer expand his search for old movie houses through Myanmar, Vietnam,
Cambodia and Laos. He’s found more than 300 — and more publications are in the
pipeline.
“I’ve got enough material to do a book now on the movie theaters of Myanmar,”
Jablon says. “So I guess I’ll just keep snooping around.”
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