The
following is a reference / historical listing of the roadshow and 70mm
presentations of The Fall of the Roman Empire in the United States and
Canada.
The Samuel Bronston production and Paramount release was directed by Anthony
Mann (El Cid, Strategic Air Command) and starred Sophia Loren, Stephen
Boyd, Alec Guinness, James Mason, Christopher Plummer, John Ireland, Mel
Ferrer, Omar Sharif and Anthony Quayle. The films world premiere was held
March 26th, 1964, at the DeMille in New York.
The presentations cited in the Part 1 section of this work were hard
ticket roadshow engagements (i.e. special, long-running, showcase
presentations in major cities prior to the film being exhibited as a general
release). Much like a stage production, these typically featured an average
of only ten scheduled screenings per week, advanced admission pricing,
reserved seating, and an overture/intermission/entracte/exit music. A
souvenir roadshow program booklet and the films soundtrack album were sold,
as well, in some locales.
The print types utilized during the films roadshow release were, depending
on the booking, (1) 70-millimeter (2.76:1 from Ultra Panavision 70) with
discrete magnetic six-channel stereophonic sound, (2) 35-millimeter scope
reduction with discrete magnetic four-channel stereophonic sound and optical
monaural sound, (3) 35-millimeter scope reduction with optical monaural
sound.
Out of the hundreds of films released in North America during 1964, The
Fall of the Roman Empire was among only six given deluxe roadshow treatment
and among only seven released with 70mm prints.
PART 1: THE ROADSHOW ENGAGEMENTS
(reserved seat policy / presumed 70mm presentation)
1964-03-26
New York, NY DeMille (19)
1964-03-27
Montreal, QC Alouette (12)
1964-03-27
Toronto, ON University (11)
1964-04-01
Washington, DC Warner (12)
1964-04-02
Denver, CO Denham (6)
1964-04-08
Dallas, TX Tower (11)
1964-04-08
Philadelphia, PA Stanley (11)
1964-04-09
Houston, TX Tower (11)
1964-04-10
Salt Lake City, UT Centre (11)
1964-04-15
Cincinnati, OH Grand (11)
1964-04-15
Edmonton, AB Paramount (5)
1964-04-15
Minneapolis, MN Academy (11)
1964-04-15
Portland, OR Music Box (14)
1964-04-15
Vancouver, BC Stanley (10)
1964-04-16
Cleveland, OH Ohio (10)
1964-04-17
Atlanta, GA Roxy (11)
1964-04-17
Chicago, IL Michael Todd (15)
1964-04-22
Kansas City, MO Capri (8)
1964-04-24
Indianapolis, IN Lyric (10)
1964-04-30
Detroit, MI Madison (9)
1964-05-20
Pittsburgh, PA Nixon (7)
1964-05-22
Boston, MA Gary (7)
1964-05-27
Baltimore, MD New (6)
1964-06-11
San Diego, CA Capri (10)
1964-06-24
Omaha, NE Cooper (7)
PART 2: FIRST-RUN ENGAGEMENTS
(un-reserved seat policy / presumed 70mm presentation)
1964-05-26
Hartford (West Hartford), CT Elm (6)
1964-05-28
Miami (Miami Beach), FL Sheridan (8)
1964-05-29
Jacksonville, FL 5 Points (5)
1964-06-10
Los Angeles, CA Paramount (8)
1964-06-17
Rochester, NY Riviera (5)
1964-06-18
Syracuse (DeWitt), NY Shoppingtown (5)
1964-07-10
Buffalo, NY Granada (5)
1964-07-17
Columbus, OH Cinestage (7)
1964-07-22
San Francisco, CA Alexandria (5)
1964-07-24
Dayton, OH McCook (6)
1964-07-29
Youngstown, OH State (2)
1964-07-31
Milwaukee, WI Wisconsin 1 (5)
1964-08-05
Asbury Park, NJ St. James (2)
1964-08-05
Worcester, MA Webster Square (3)
1964-08-07
Des Moines, IA Ingersoll (5)
1964-08-21
Reading, PA Fox (2)
1964-10-01
Chattanooga, TN Brainerd (3)
1964-10-01
Nashville, TN Crescent (3)
PART 3: SUBSEQUENT 70MM ENGAGEMENTS
(unreserved seating / general release policy)
1964-06-17
Thornton, CO North Star Drive-In (2)
1964-08-05
Asbury Park, NJ St. James (1)
1964-08-19
Fairless Hills, PA Eric (1)
1964-08-26
Moorestown, NJ Plaza (3)
1964-09-23
Lawnside, NJ White Horse Pike Drive-In (1) [w/ Zulu]
1964-10-07
Annandale, VA Annandale (1)
1964-10-14
Philadelphia, PA Cheltenham (1)
1964-10-14
Philadelphia, PA Parkwood (1)
The information in this article was principally referenced from film
industry trade publications and regional newspaper promotion, with thanks to
Jerry Alexander, Jim Barg, Bill Kallay, Bill Kretzel and Mark Lensenmayer.
International 70mm presentations of this title have not been accounted for
in this work.
If you believe this article contains any errors or omissions, please
consider emailing the
author or editor.
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