“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

25th Anniversary of "Brainstorm"'s 1983 Release
REMEMBERING THE ULTIMATE EXPERIENCE

Read more at
in70mm.com
The 70mm Newsletter
Written and Compiled by: Mike Coate, Hollywood, USA Date: 30.09.2008
Twenty-five years ago, “Brainstorm”, Douglas Trumbull’s “Ultimate Experience”, was released to movie theatres. Though the film was not a box-office success, it is remembered for its effective large-frame cinematography and sound design, and for its interesting take on futuristic technology.

CAST:
Michael Brace – Christopher Walken
Karen Brace – Natalie Wood
Lilian Reynolds – Louise Fletcher
Alex Terson – Cliff Robertson
Gordy Forbes – Jordan Christopher
Landon Marks – Donald Hotton
Robert Jenkins – Alan Fudge
Hal Abramson – Joe Dorsey
James Zimbach – Bill Morey
Chris Brace – Jason Lively
Security Technician – Darrell Larson

DIRECTOR: Douglas Trumbull

SCREENPLAY: Robert Stitzel and Philip Frank Messina (Screenplay), Bruce Joel Rubin (Story)

PROMOTIONAL SLOGAN: “…The Ultimate Experience”

PRODUCTION COST: $18 million

OPENING-WEEK BOOKINGS: 169

OPENING-WEEKEND BOXOFFICE GROSS: $1.2 million

CUMULATIVE NORTH AMERICAN BOXOFFICE GROSS: $10.2 million
 
More in 70mm reading:

"Brainstorm" in 65mm

“Brainstorm”: The North American 70mm Engagements

70mm Cinemas in North America

Chronological premiere list of major 70mm films

Month by month premiere list of wide gauge and 3-strip films

70mm Engagements

70mm Blow Up List

Dolby Stereo

 

Memorable Quotes

 
“You’ve blown communication, as we know it, right out of the water!” — Cliff Robertson as Alex

“This is the largest exclusive 70mm release in motion picture history, which reflects our belief that ‘Brainstorm’ is a unique motion picture experience.” — Richard B. Graff, President of Domestic Distribution, MGM/UA Entertainment Co.
 
 

What the Critics Said

 
Ticket for the Cinerama Dome

“In a year replete with special effects movies, Douglas Trumbull’s ‘Brainstorm’ towers as the most wizardly of them all.” — Arthur Knight, The Hollywood Reporter

‘Brainstorm’ is a dazzling sight and sound experience!” — Leonard Maltin, Entertainment Tonight

‘Brainstorm’ is a visually captivating experience, but one that ultimately is disappointingly incomplete.” — Bob Curtwright, The Wichita Eagle-Beacon

“This is a neat film, refreshingly different and remarkably intelligent. By all means, try to see this one on a large screen. It’s worth driving out of your way.” — Douglas D. Armstrong, The Milwaukee Journal

‘Brainstorm’ is a nonsensical hodgepodge which is is more irritating than entertaining.” — Don Lechman, (Santa Monica) Evening Outlook

‘Brainstorm’ may not always make a lot of sense, but it certainly looks the $18 million it ended up costing. It was photographed stunningly by Richard Yuricich.” — Kevin Thomas, Los Angeles Times

“Fireworks explode across the screen.” — Janet Maslin, The New York Times

“A landmark movie!” — Stephen Schaefer, Us Magazine

“Why does the screen keep changing size? Was the movie shot with different types of film?” — Bob Lundegaard, Minneapolis Star and Tribune

‘Brainstorm’ is in 1400mm Double Dolby Super Panavision Metrocolor shot through Trumbulized Panaflex lenses in Omnivision at f/125 in North Carolina. Shooting stars and Christmas ornaments courtesy of K-Mart.” — Peter Stack, San Francisco Chronicle

“Where ‘Brainstorm’ really excels is with its visual effects. It may be the best-looking picture of the year, particularly on a big screen in the 70mm format. The sound track of ‘Brainstorm’, Dolby enhanced, is particularly rich and convincing.” — Stephen Hunter, The (Baltimore) Sun

“It’s a cranky, ugly movie that can’t disguise the problems that plagued it following the death of its co-star, Natalie Wood, while still in production. The movie is a double misfortune. Not only does it display Trumbull’s gifts at low ebb, it also trashes a potentially great sci-fi idea.” — Peter Rainer, (Los Angeles) Herald-Examiner
 
2. oktober 2008

Hi. I just read the new article on the "Brainstorm" anniversary and fondly remember the theatrical experience during its short run back in 1983. I was just wondering if Doug Trumbull was asked or could have been asked to write some kind of retrospective on his association with the film from the beginning to the end...maybe part of a lengthy series of articles, depending on his memories and content. If memory serves me correctly, he is a proponent of 70mm films even using 65mm film to photograph visual fx in "Close Encounters", the first "Star Trek", "Blade Runner" by his FX company. Just my 2cents.

Thanks for the wonderful site.

JD
 

Release Dates

 
Impressive, almost 3D like, title card from "Brainstorm" - smilebox version

30.09.1983 Canada
30.09.1983 United States
08.12.1983 Australia
08.12.1983 Puerto Rico
15.12.1983 Argentina
22.12.1983 Brazil
23.12.1983 Mexico
23.12.1983 United Kingdom
13.01.1984 Italy
01.02.1984 Belgium
01.02.1984 France
10.02.1984 Sweden
10.02.1984 West Germany
23.02.1984 Netherlands
01.03.1984 Hong Kong
16.03.1984 Israel
13.04.1984 Norway
14.04.1984 Japan
20.04.1984 Finland
23.04.1984 Denmark, Imperial Bio, Copenhagen

• Go to The North American 70mm Engagements
 
 

Awards

 
The Academy of Science-Fiction, Fantasy & Horror Films awarded “Brainstorm” a Saturn for Best Actress (Louise Fletcher) and Best Music (James Horner). “Brainstorm” also received Saturn nominations in the categories of Best Director (Douglas Trumbull), Best Science-Fiction Film, Best Special Effects, and Best Supporting Actress (Natalie Wood). The film also was nominated for a Hugo Award for Best Dramatic Presentation.
 
 

Trivia, Tidbits & Factoids

 
“Brainstorm” was filmed in locations throughout North Carolina, including Chapel Hill, Durham, Kitty Hawk, Raleigh, and Southern Pines.

At the time of its 1983 release, “Brainstorm” had the largest order of 70-millimeter prints struck for a North American film release, eclipsing the record set earlier in the same year by “Return of the Jedi”.

The concept of “Brainstorm” is similar to that of “Altered States” (1980).

The world premiere of “Brainstorm” was held on 06 October in Raleigh at the Mission Valley Cinemas as a token of appreciation to the state of North Carolina for granting filming locations. The west coast premiere was held on 29 September in Los Angeles at the Cinerama Dome. (The reason the world premiere took place one week after the film’s release was because its distributor, Metro-Goldwyn-Mayer, planned to release the movie on 07 October 1983, but citing positive exhibitor response to their plans for an exclusive 70mm launch, the company in mid-September pushed up the release by one week but were unable to alter their plan on short notice for the 06 October world premiere event.)

During the first few weeks of its North American release, the film was presented exclusively in 70mm (see list below) before any standard 35mm prints were put into circulation.

On 29 November 1981, during a holiday break from the filming of “Brainstorm”, actress Natalie Wood drowned off the coast of Santa Catalina Island, halting production for over a year until a plan for completion could be agreed upon.

“Brainstorm” is one of 18 English-language feature films produced in the large-gauge Super Panavision 70 process.
 


 
Clip of 70mm film with pillarboxed image.

Promoted as a Super Panavision 70 production, in actuality only a portion of the film was shot in large format. The objective “real world” sequences in “Brainstorm” were filmed in spherical 35mm and have a 1.66:1 aspect ratio; the subjective “brainstorm” sequences were originated in 65mm and are in 2.20:1. Presentations have varied over the years in how the aspect ratio changes have been handled. The 70mm and 35mm scope release prints have the 1.66:1 footage pillarboxed within the wide frame. The pan-and-scan video edition has a 1.33:1 ratio and reveals no ratio change between the real world and the brainstorm sequences. The first letterbox edition (the 1991 laserdisc) featured a transfer of the film that mirrored the original theatrical presentation. A remastered letterbox edition (the 1998 laserdisc and subsequent DVD releases) retains the proper aspect ratios but betrays the intended effect by letterboxing the brainstorm segments within the real world segments.

“Brainstorm” has not (yet) been released on Blu-ray Disc.

Some of the translated foreign-language titles included “Projecto Brainstorm” (Spanish), “Brainstorm Generazione Elettrinica” (Italian), and “Projekt Brainstorm” (German).

If you believe this article contains any errors or omissions, please consider emailing the author or editor.
 
 

Mike Coate

 
Image by Richard Greenhalgh

Michael Coate is a journalist and film historian. He has contributed to American Cinematographer, Boxoffice, Replication News, Sight & Sound, Widescreen Review, and the websites CinemaTreasures.org, FromScriptToDVD.com, and In70mm.com. He was Widescreen Review magazine's Research Editor from 1997 to 2004. In 2004, he co-founded FromScriptToDVD.com, and in 2008 created Fans of Showmanship, a Yahoo! group focusing on the discussion of film history.

Attending baseball games across the USA is Mike's hobby when he's not haunting libraries around the globe looking to unearth useful facts about film history. He is a graduate of the Radio-Television-Film program at California State University Long Beach and lives in Los Angeles.
 
 

• Go to
25th Anniversary of "Brainstorm"'s 1983 Release
 
Go: back - top - back issues - news index
Updated 28-07-24