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"Interstellar" in 70MM at the Ziegfeld in New York |
Read more at in70mm.com The 70mm Newsletter
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Written
and photographed by: Howard
B. Haas, Philadelphia, USA |
Date:
11.11.2014 |
The
crane is there to repair the exterior including the roof.
Saturday, November 8, 2014, I
traveled to the Ziegfeld to see “Interstellar” in 70mm, not only because
there's no Philadelphia movie theater that still shows movies in regular
non-Imax 70mm but also because I really enjoy the Ziegfeld experience.
The Ziegfeld is a survivor of a spate of Manhattan movie theaters
constructed after WW2 to provide a more modern going movie experience, but
due to television, with fewer seats than Golden Age movie palaces. The
Walter Reade chain opened the 1,131 seat single screen theater at 54th
Street between 6th Avenue and 7th Avenue, only a short walk away from the
nearly 6000 seat Radio City Music Hall. The Ziegfeld was built next to the
site of a prior Ziegfeld Theatre, an Art Deco masterpiece that lasted from
1927 to its 1966 demolition. The new Ziegfeld is now operated by Bow Tie
Cinemas.
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More in 70mm reading:
The Ziegfeld has closed
Dennis Furbush's Gallery: "Interstellar" in
70MM at the Ziegfeld in New York, November 2014
AFI's Spectacular 70MM Festival
"Interstellar" Goes IMAX 70MM and
5/70 MM
"Interstellar" Now Playing in 70MM
Elbeuf’s Grand Mercure Cinema,
France’s only cinema theatre to be showing INTERSTELLAR in 70mm
Interstellar: La Magia Del 70mm Al Cinema
Arcadia Di Melzo (Milano)
Internet link:
Bow Tie Cinemas
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Blank
white screen not meant to be seen by the public, but I was there before the
preshow began
The current Ziegfeld's exterior is
mostly plain, but people outside can see huge crystal chandeliers in the
lobbies. The interior is ornate in a traditional sense, despite the 1969
origin. Fancy plasterwork, intricate metalwork, ancient wood and other
elaborate decor greet moviegoers. A box office vestibule leads to a lobby
that has an elephant statue and exhibits about Florenz Ziegfeld, the earlier
theater, and display cases depicting the exotically dressed Ziegfeld Girls.
After a staffer enthusiastically greets you and checks your ticket, you walk
up the grand staircase, or more usually take the escalator up to the stair
landing.
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Grand
drape seen from the Raised Rear seating
Then you enter the main foyer
with the concession stand, restrooms, and a giant poster of
“My Fair Lady” a
movie which had its restored 70mm showing here in
1994. Next is the the
huge auditorium whose “flat” (non curved) screen measures 52 feet wide for
scope movies. Auditorium chairs have ends with an illuminated Z. Rather than
a balcony, there's a stadium seated section at the auditorium's rear. I sit
towards the rear of the orchestra seating, as the screen looks enormous
there, but from the rear of that section, I can get a grasp of the whole
screen at once in my field of vision.
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Century
35/70 projector and platter holding Interstellar film
I first ventured to the Ziegfeld in 1995 to enjoy wide screen epics “Rob
Roy” and “Braveheart” and have enjoyed many new movies and classics at the
Ziegfeld since including in 2001 a new 35mm Roadshow print of “Funny Girl”
(1968) a movie that originally had a 70 mm release. I've experienced at
least one sold out reserved seat engagement, “The Thin Red Line” (1998)
which I saw a few months after seeing another WW2 epic, “Saving Mr. Ryan” at
the Ziegfeld. Here to see a science fiction movie that spared no expense in
production, I remember that I saw here the 1927 classic “Metropolis” in 2002
and a few months later, a new sci-fi “Solaris.” Thankfully the Ziegfeld
retained its Century 35/70mm projector after converting for new movies to
what is now 4k digital projection. Two years ago, I enjoyed at the Ziegfeld
the last 70mm feature,
“The Master” which had incredible resolution on the
big screen. The prior 70mm feature, “Hamlet” had been issued in 1996, and I
enjoyed that epic at the nearby still single screen Paris Theater.
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Interstellar
film cans
Usually if I am going to travel from Philadelphia to see movies, I like
those movies to be epic scaled and “Interstellar” did not disappoint me.
After the preshow and trailers, though no longer used for daily movies, for
these special 70mm screenings, both the Grand Drape curtain and the sheer
Title Curtain opened to audience applause on a 70mm trailer of “Inherent Vice” and then in
glorious 70mm resolution began “Interstellar.” Presented with booming 5.1
surround sound, the movie is an almost three hour spectacle of visual
extravaganza, an intricate plot that makes you think, and an excellent
score. Seeing “Interstellar” in 70mm resolution on the immense screen,
hearing the powerful sound from throughout, while being in the cavernous
Ziegfeld auditorium was a world away from seeing the movie in a typical
multiplex auditorium. A few hundred other moviegoers were happy to enjoy the
movie there at the 2:45 PM show.
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Myself
in the Lobby where there are exhibits of the previous Ziegfeld Theater that
was nearby
“Interstellar” was also released by
its British born director, Christopher Nolan, in 70mm Imax. I had seen in
70mm Imax, at Philadelphia's Franklin Institute, Nolan's last feature, “The
Dark Knight Rises.” 70mm Imax has even more resolution but I prefer sitting
further back from the screen in a regular non-Imax auditorium, and I was
happy to once again have the Ziegfeld experience of being in an ornate movie theater with a crowd and with an enthusiastic staff.
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Marquee
lit at night.
Countless movie premieres and
special events like Dr. Who screenings are hosted at the Ziegfeld. But, with
more than 1100 seats, the Ziegfeld was designed for movies to be exclusively
only there before opening wide, and in the multiplex era, the Ziegfeld's
future is in grave doubt. The Ziegfeld is the last huge single screen movie theater still showing daily movies in
New York City so I am happy to enjoy a
movie there, and was doubly happy to see the 70mm epic “Interstellar” there.
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•
Go to Dennis Furbush's Gallery: "Interstellar"
in 70MM at the Ziegfeld in New York, November 2014
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