“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

70mm Weekend 2018 Varnsdorf: on one of the largest screens in Europe.

Read more at
in70mm.com
The 70mm Newsletter
Written by: Johan C.M. Wolthuis, International 70mm Publishers, Arnhem, and Jan-Hein Bal from the EYE Filmmuseum, Amsterdamm, Holland. Date: 20.06.2018
Cinema owner Pavel Nejtek next to a Meopta 70/35 projector.

The city of Varnsdorf in the Czech Republic has a beautiful cinema called Centrum Panorama, with a curved screen of 18.4 x 7.9 metres, about 145 m2. The depth of the curvature is 1.8 m. It has a stadium seated auditorium with 550 seats and in the projection booth you will find all the necessary digital projectors (Christie) and sound processors, but they also have all classic projection technology i.e. 16mm, 35mm and 70mm. They are very proud to have two Meopta UM 70/35mm projectors, built in the seventies in the Czech Republic! So they can screen all the classic 70mm films with 6 channel magnetic sound but also the new 70mm prints with Datasat timecode.

They added noise suppression for audio records without Dolby. Furthermore, they have installed Dolby A and Dolby SR and other audio systems for 70mm films having e.g. the low bass frequencies in a particular track or have stereo sound effects. On the walls you can see a total of 28 different speakers and there are five original speakers from 1971 behind the screen and eight new JBL speakers installed recently and used during the “70mm Weekend”.

This was an excellent place for the 70mm weekend 2018 (the second Czech 70mm festival besides Krnov) from 17 until 20 May with a unique program of old and new 70mm films in co-operation with the Prague Film Archive, DEFA-Stiftung and the Kino Museum Berlin, who provided most of the 70mm copies. It was the fourth year this 70mm Weekend was organized. This years program started with War and Peace, part I - Andrej Bolkonskij and (a much better print of) War and Peace, part II - Natasha Rostova (1965), both German-dubbed prints prints from the Kino Museum in Berlin, followed by Gettysburg (1993) a 70mm print from the Bradford Media Museum Archive.

• Go to Full Introduction for "VOJNA I MIR"
 
More in 70mm reading:

70mm Film Weekend in Centrum Panorama Varnsdorf, Czech Republic

2017: 70mm Film Weekend in Centrum Panorama Varnsdorf, Czech Republic

2016: 70mm Film Weekend in Centrum Panorama Varnsdorf, Czech Republic

2015: 70mm Film Festival in Centrum Panorama Varnsdorf

2014: CENTRUM PANORAMA Varnsdorf, Czech Republic

Centrum Panorama Varnsdorf, Czech Republic

70MM in Varnsdorf - a new hope?

70mm Retro - Festivals and Screenings


Internet link:

Centrum Panorama
Západní 2618
407 47 Varnsdorf
Czech Republic

70mmweekend.cz

facebook.com
 
Visitors from London, Mark Lyndon and Margaret Weedon

The next days they screened an extremely abridged English dubbed Old Shatterhand, a German, French, Italian, Yugoslav co-production from 1964 originally filmed with German Super Panorama MCS 70 cameras. This was followed by the famous (German dubbed) 2001: A Space Odyssey from 1968, filmed in Super Panavison 70; a brand new 70mm print of Murder on the Orient Express and a German dubbed blow-up from 1968: Guns for San Sebastian (La Bataille de San Sebastian). Followed by a German dubbed blow-up from 1968: The Shoes of the Fisherman (the third movie with Anthony Quinn), a blow-up of Close Encounters of the Third Kind ( 1977); Lawrence of Arabia, David Lean’s famous movie from 1962 filmed in Super Panavision 70, Samuel Bronston’s Circus World (1964) in Super Technirama 70 and the last movie was a blow-up from 1968 Finian's Rainbow. Many prints were more of less faded but Lawrence of Arabia was still in excellent condition. Prints were English or dubbed in German and subtitled with a beamer in Czech. Screenings had many visitors, including visitors from Austria, Germany, The Netherlands and United Kingdom. Murder on the Orient Express was the best visited movie. There also was an interesting digital short History of the Cinema in Varnsdorf.

Some history of this unique cinema: it opened in 1971 as a project to promote the city of Varnsdorf. At that time it had a population of around 35 000 inhabitants and was well-known for its textile factories. From the beginning this cinema had the 70mm possibilities with the Czech Meopta UM 70/35mm projectors.
 
 
Johan Wolthuis & Jan-Hein Bal. Picture by Tom Ackerman

However it closed in 1991 as a result of the closure of many factories and the decline of the city. The number of inhabitants reduced with nearly 50 percent. The cinema building and the next door hotel fell into a ruin. But In the year 2000 Mr Pavel Nejtek, who owns and still operates a Neon Lights factory in Prague, bought the building complex. Being a cinema enthousiast he started a project to completely rebuild the cinema and finally after five years, in 2005 he could reopen the cinema. The exterior building still needs much renovation and is difficult to find but the cinema interior is beautifully restored. In the same building he organised the opening of two restaurants to provide the visitors with all the necessary food and drinks. In the lobby is a large exposition of old projection equipment including a Czech Meopta UM 70/35, Dutch Philips DP75, Russian KH17/ 35mm, etc.
 
 
Jan-Hein Bal, Tom Ackerman and Martin Sinkmajer

Many of the movies were introduced by Mr Pavel Nejtek himself in the Czech language and in English by Jean -Pierre Gutzeit and Martin Šinkmajer, project manager. Some of them also in the German language by Tom Ackerman from Austria and the Russian movie War and Peace was introduced by Jan-Hein Bal from the Amsterdam EYE Filmmuseum. The projection staff did a wonderful job projecting everything reel by reel, without non-rewind equipment and had to endure much technical difficulties including a print of Gettysburg which was often out of focus because of vinegar problems (decay of film material). Before and after projection this print was stored in refrigerator boxes!

The festival has been financed for 85% by the region, 6,7 % by the city of Varnsdorf and 8.3 % by the Neisse filmfestival. The 70mm weekend took place in the context of 15th Neisse Filmfestival, organized in 10 locations in the German-Polish-Czech border triangle from 15th to 20th May.
 
 
The large curved screen of the Centrum Panorama cinema

Jean-Pierre Gutzeit from the Berlin Kino Museum should be complemented for bringing in eight 70mm movies, most of them in reasonable condition. It was the fourth year this 70mm weekend was organized. The philosophy of the organization is to show movies that are very rare presented on similar 70mm festivals and to bring visitors together and provide them with high quality of food and drinks. During the festival the cinema restaurants were sometimes more crowded with local visitors than the films as these were the only cafe-restaurants in town which were still open after 18.00 p.m! The quiet mountain city of Varnsdorf is awaiting a repaired railway connection and has much closed beautiful churches and factories but also lovely restored buildings. It lies near the German/Czech border near the German city of Dresden, which is a city also very much worth a visit, with beautiful churches and other historical buildings amazingly rebuild after the disastrous bombardment in February 1945. And last but not least the beautiful Rundkino, build in 1972, with 898 seats one of the largest 70mm cinemas in the former German Democratic Republic, still functioning today in Dresden as a large digital cinema.
 
 
   
Go: back - top - back issues - news index
Updated 28-07-24