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 Working for Louis deRochemont
By Borden Mace
Riding back to Manhattan alone with a captive David Lean in a thirty minute taxi ride, I had questions of a lifetime to ask him. I never got to ask one. He was so excited and had so many questions he wanted answers to. |
 "The Empire Strikes Back"
By Coate and Kallay
What is noteworthy
about the release of "The Empire Strikes Back" with regard
to the 70mm presentation format is that the film was (at the
time) distributed with a record number of large-format
prints for a saturation, non-roadshow-type release,
eclipsing the record set the previous year by "Alien".
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Go to
"It's a Mad, Mad, Mad,
Mad World" 40th anniversary |
• Go to
Three Great
Danish 70mm Cinemas |
 The Photography of "Patton"
By George J. Mitchel
The sharpness and resolution of the D-150 lenses is amply demonstrated
in the prologue. There are screen-filling close-ups of Patton's pistols, his
decorations, his West Point ring. The clarity of detail, despite the
magnification, is amazing.of detail, despite the
magnification, is amazing. |
 Closure of the Royal Palast in
Berlin, Germany
by Jean Pierre Gutzeit |
Cinerama Festival in Seattle
by Dave Strohmaier |
BKSTS Projection Crew of the Year
2002
by Duncan McGregor
|
 "Ryan's Daughter" reprinted in 70mm |
 Cameron Enters the Big Picture Large Format
Cinema Association Conference 2003
|
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Go to
Projectionist Jan
Niebuhr, Denmark |
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| "IN 70MM.COM" NEWS |
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2024,
2023,
2022,
2021,
2020,
2019,
2018,
2017,
2016,
2015,
2014,
2013,
2012,
2011, 2010,
2009, 2008,
2007, 2006,
2005, 2004,
2003,
2002,
2001,
2000,
1999,
1998,
1997,
1996,
1995,
1994 |
|
 Cinerama and Todd-AO at the Syossett
by Joe Kelley
The screen frame had an adjustable curvature to accommodate the Todd AO
specified deep chord depth while permitting 35mm Flat and Scope wide screen
formats to form lesser chord depths |
 Todd-AO
Birth date
By Brian O'Brien
On October 15th, 1952 I received a phone call from a Michael
Todd in New York City, who wished to come to see me at Rochester
that evening. I had never heard of Todd, but it seems that he is
a well-known Broadway produce |
 "Where the Trains Used to Go"
By Morten Skallerud
I love trains. I love Large Format, and I love making magic on film.
"Where the Trains used to go" gave me an opportunity to combine the
three for a 4½ minute 15perf 70mm "magic journey" along the remains of a
closed-down narrow-gauge railway. |
•
Go to
"Where The Trains
Used To Go" in IMAX
•
Go to
"Where The Trains
Used To Go". Credit
list
•
Go to
Making of "Where
The Trains Used To Go" |
 The
latest press release from Kinopanorama
By Jeremy Sefton-Parke
Fifth Continent has commissioned The Aranda Group in Victoria to design and build special three-lens Kinopanorama film viewers. |
 Kinopanorama
History
By Jeremy Sefton-Parke
KINOPANORAMA was developed between 1956 and
1957 by film technicians in Moscow at the USSR Cinema and Photo Research
Institute. |
 About
"Chastity Truth and Kinopanorama"
By Jeremy Sefton-Parke
Some six minutes were shot around the City of Moscow of Kremlin,
Red Square, and the facade of the world famous Bolshoi Theatre.
|
First reviews
of Bradfords
Widescreen Weekend 2003
The editors review
of Bradfords
Widescreen Weekend 2003
Presenting the Academy member,
Mr. Keith Swadkins |
|
Confessions of a Widescreen Weekend Fan |
Watch 8mm films of
3 Falke Bio and
Kinopalæet
in Copenhagen around 1980. |
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• Go to
in70mm.com News 2003
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