Title |
Released |
Cinema |
Notes |
|
|
|
|
Carousel |
16.02.1956 |
Roxy, NYC |
CinemaScope
55, Shown only in 35mm |
“The King and I” |
28.06.1956 |
Roxy, NYC |
CinemaScope
55, Shown only in 35mm.
Re-released (Grandeur 70) 23.03.1961
at the Rivoli,
NY, USA |
De Luxe Tour (S) |
- |
- |
CinemaScope
55. Partially produced and shot in 1957, then abandoned |
The Tale of Old Whiff (S) |
06.01.1960 |
Cinestage, Chicago,
USA |
|
Mike
Todd Jr.'s "Scent of Mystery" in Smell-O-Vision
|
06.01.1960 |
Cinestage, Chicago,
USA |
Todd-70
Cameras and lenses probably rented from Claude Chevereau Film
Camera Rentals in France. See also
"Krakatoa".
|
Lenningrad (short
prior to "Annés Defu") |
1961 |
|
|
La Sentinelle
Endormie |
1965 |
|
France.
Dir. Jean Dreville. |
La Terre Se Repose
(S) |
1967 |
|
Running
time: 8 min. Mitchell 65mm |
“Playtime”:
The North American 70mm Engagements
+
Play Time |
17.12.1967 |
Empire, Paris,
France |
Mitchell
65mm
Cameras and lenses probably rented from Claude Chevereau Film
Camera Rentals in France. See also
"Krakatoa".
|
War and Peace |
08.06.1967 |
Coliseum, London,
England |
Blown up
from VistaVision to 70mm/2,21:1 |
“Krakatoa,
East of Java” |
11.01.1969 |
Tokyo, Japan |
Presented in Cinerama
Cameras and lenses rented from Claude Chevereau Film Camera Rentals
in France.
|
The Ten
Commandments |
18.07.1972 |
Casino, London,
England |
Blown up
from VistaVision to 2,21:1 |
The Circus (S) |
1973 |
, USA |
Photographed with a
modified Todd-AO camera by
Jack Priestly in the 1:2,21 ratio (vertically) |
Voyage
to the Outer Planets |
1973 |
, USA |
Filmed with a
modified Todd-AO camera
modified to 8-perf and then blown up to IMAX
Dome |
“Napoleon” |
16.07.1982 |
Cinerama Dome, Los Angeles, CA, USA |
Shot in 35mm, shown in Triptych. Last
reel in 70mm for some engagements
“Napoleon" in San
Francisco
Abel Gance’s "Napoleon"
Presented in “Polyvision”
"Napoleon" in Triptych was
an Absolute Triumph
Kevin Brownlow
Interview
Carl Davis Interview
Projecting “Napoleon” – une
pičce de resistance
Cinerama As Perceived By
Abel Gance
|
"Here's
Chicago! The City of Dreams" (S) |
17.05.1983 |
Chicago’s Water Tower Pumping Station,
Chicago, USA |
Shot with 65mm cameras
|
“The
Ten Commandments” |
13.10.1989 |
Cooper Twin, St. Louis Park, MN, USA |
Blown up
from VistaVision to 70mm |
Svalbard
– Arctic Seasons (S) |
1996 |
|
HKB-65/70 |
“Vertigo”
|
04.10.1996 |
Ziegfeld, NY, USA |
Blown up
from VistaVision to 70mm/1,85:1
Restoration of "Vertigo"
"Vertigo" Cast and
credits
"Vertigo" update in
70mm DTS |
We Fight To Be Free
(S) |
2006 |
Ford Orientation
Center and Donald W. Reynolds Museum and Education Center at Mt.
Vernon, USA
|
Running
time 22 minutes
Cinematographer: Kees Van Oostrum
Director: Kees Van Oostrum
Country: USA
The story of George Washington, his most important military
achievements and special personal moments in his life. The film
portrays him as a heroic, kind and brave man who is said to be a
father of USA.
It was created using 65mm, 35mm and digital effects plates. The
showing will be of a 35mm print, as well as a DVD version that
includes a feature covering the making of the film.
|
"Violet" |
2014 |
|
Filmed with an 8-perf Fries Todd-AO
65mm 8-perf camera
|
"Daughter
of Dismay" (S)
|
06.10.2019 |
Schauburg Cinerama, Karlsruhe, Germany
70mm Festival World Premiere +
Three Week Theatrical Run starting
10.10.2019. Every day before the evening show of
"Joker"
|
Filmed with an 8-perf 65mm Mitchell
camera "Fries 865"
"Daughter of Dismay" with Director James Quinn
|
“Lay Me
By The Shore” (S)
|
xx.02.2022 |
Berlin Film Festival
|
Filmed with an 8-perf 65mm Mitchell
camera "Fries 865"
“Lay Me By The Shore”, Director David Findley talks about filming in
65mm
|
|
|
|
|
|
|
|
|
|
Further
in 70mm reading:
Large Format 7OMM
Engagements
Presented on the big screen in 7OMM
(S) = Short film
Assistant contributors on some large format lists includes
Michael Coate, David Coles, Jeffrey L. Johnson, Scott Marshall, Tak Miagishima,
Rick Mitchell, Dan Scherlock, Richard Vetter and Ingolf Vonau.
Based on material found in many sources, including trade papers, Variety,
Wide Screen Movies (Robert E. Carr & R. Michael Hayes) and Four Aspects of The Film (James L Limbacher)
|